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poster
73
7.1
/8484/
70
/276/
70
/226/
3.9
/25646/
90
/20/
74
/77/

Deep End (1971)
London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
poster
60
12
5.7
/280/
63
/39/
52
/13/
3.4
/482/

The Females (1970)
A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.
poster
?
6.9
/8/
10
/1/

Beate und Mareile (1981)
N/A
poster
?
5.8
/87/
25
/2/
46
/6/

Seventeen and Anxious (1970)
Zbynek Brynych's forgotten masterpiece "Oh Happy Day" is best described as coming-of-age-psychedelia.
poster
60
?
6.5
/301/
65
/4/
52
/7/

Jeune homme (2006)
Finally adult and free? You wish! His father sees him as a future boss of the family-owned printing firm and his mother only wants the best for him. Sebastian can’t take it any more. On his eighteenth birthday he announces his departure to Geneva to work as an au pair in a family, looking after children and doing the household chores. To improve his French, of course! His father flips his lid, his mother is distraught. Only his sister Kathrin thinks her little brother is really cool… Very few men would be up to the challenge!
poster
66
?
6.8
/220/
73
/3/
57
/3/
3.4
/288/

Women in New York (1977)
Wives of rich men have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor, etc. – who work for them. Naturally, the wives themselves do not pursue careers; they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one want to keep him no matter what. And those who do not have one yet only have one goal: to take away somebody else’s husband.


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