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The Best Bernardo Bertolucci Movies. Go to The Best Shows

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poster

82

8.2

/7296/

81

/346/

83

/363/

4.1

/18192/

91

/54/

93

/7/

75

/16/

3.0

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

poster

68

54

6.6

/2005/

64

/82/

61

/47/

3.1

/1630/

83

/42/

62

/32/

77

/8/

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

poster

79

41

6.9

/457/

76

/10/

73

/15/

3.5

/421/

97

/63/

89

/2831/

In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.

poster

59

29

6.4

/521/

66

/15/

59

/16/

3.3

/562/

66

/38/

43

/22/

49

/15/

Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.

poster

53

22

7.3

/199/

10

/1/

48

/8/

75

/88/

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

poster

70

10

7.7

/64/

63

/6/

70

/2/

3.6

/763/

The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.

poster

58

10

6.9

/226/

35

/4/

62

/12/

3.4

/316/

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

poster

67

9

7.1

/176/

75

/2/

54

/11/

3.5

/342/

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

poster

?

6.7

/12/

80

/1/

N/A

poster

?

5.0

/15/

N/A

poster

?

100

/2/

N/A

poster

?

10

/1/

65

/1/

The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.

poster

?

6.4

/19/

Expecting her first child and questioning how to align motherhood with being an artist, Lola begins a dialogue with her grandmother Cloclo, a landscape painter, aesthetic nomad and free spirit. Lola decides to follow in her footsteps and return to Greece to the Cycladic islands where Cloclo spent the last twenty years of her life.

poster

?

6.4

/9/

35

/2/

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

poster

52

?

6.8

/18/

27

/73/

62

/102/

Lorenza Mazzetti's extraordinary life story touches many points in twentieth century history. The adopted daughter of the Einstein family emigrated to London in the 1950s and applied to the Slade School of Fine Art with the reason "Because I'm a genius!" Mazzetti is also one of the most important representatives of the Free Cinema movement.

poster

?

80

/1/

80

/2/

The last interview of Bernardo Bertolucci who recalls his work with precision, delicacy and philosophy.

poster

?

10

/1/

Various generations of filmmakers talk about what cinema means for them.

poster

?

100

/1/

N/A

poster

?

7.0

/23/

This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.

poster

71

?

6.0

/249/

90

/1/

63

/7/

The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.

poster

?

95

/1/

An Italian documentary about Italian cinema.

poster

55

?

6.2

/735/

50

/9/

56

/83/

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

poster

?

10

/1/

Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.

poster

?

7.0

/43/

40

/2/

100

/1/

Part one of a BBC documentary about Jean Renoir.

poster

?

5.5

/30/

10

/1/

Documentary about Bernardo Bertolucci, and his film The Last Emperor, tracing the director’s geographic influences, from Parma to China.

poster

43

?

6.8

/117/

13

/3/

48

/10/

A short documentary about the making of Chaplin's "Limelight."

poster

?

7.2

/23/

70

/2/

3.0

The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.

poster

?

20

/1/

A documentary that focuses on Abbas Kiarostami's cinematic philosophy talking to himself and other figures, and also seeks the opinion about his works both inside and outside his homeland.

poster

51

?

7.9

/148/

40

/2/

35

/2/

The history of film and video censorship in Great Britain.

poster

?

60

/1/

N/A

poster

?

6.8

/31/

70

/2/

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

poster

?

6.6

/30/

75

/2/

65

/3/

Roberto Benigni, Bernardo Bertolucci, Gabriele Salvatores, Paolo Sorrentino and Giuseppe Tornatore talk about their idea of cinema.

poster

?

7.6

/60/

66

/3/

50

/3/

The American composer and author Paul Bowles was a man with a great deal of charisma and influence. When he moved to Tangier, Morocco, in 1949, half the world followed him to the enigmatic city. His marriage with author Jane Bowles was a loving relationship of opposites, even though both were homosexual. Based on exclusive interviews with Bowles shortly before his death interwoven with anecdotes recounted by his friends and co-workers, the film portrays a daring and visionary life as well as a relationship shaped by an interdependency that encompassed much more than sexuality.

poster

?

6.3

/15/

“A future historian, if he or she is honest, will feel a legitimate need to place the decade 1968 to 1978 alongside the great events that changed the world, such as the French and Russian Revolutions”. This was the guiding idea to which we entrusted, with considerable emotion, our personal memory and the archive footage that we took and collected during those years and which represent the physical body of the battles fought and victories gained everywhere during those ten years. Their value, in a country like Italy which has lost its memory, is a rare witness to the power of human dignity in a constant struggle for its redemption.

poster

65

?

6.9

/131/

60

/1/

68

/4/

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

poster

?

5.9

/13/

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

poster

?

6.6

/32/

10

/1/

40

/1/

Documentary about the Dutch film director Adriaan Ditvoorst.

poster

?

6.9

/81/

60

/3/

60

/2/

A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.

poster

50

?

6.7

/114/

10

/1/

75

/2/

This film depicts a series of landmark events in the life of hapless thespian Antonio Hutter (Alessandro Haber), the unfortunate fictional alter-ego of legendary actor Alessandro Haber. This surreal faux-biography begins with Hutter's birth in Bologna, Italy, and his early life in the Middle East and follows him through the highs and lows of his acting career, using a combination of interviews with real-life colleagues, archival footage and improvised scenes along the way.

poster

?

7.5

/66/

45

/2/

60

/2/

67

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

?

20

/1/

70

/1/

Documentary about the life and works of Italian filmmaker Roberto Rossellini.

poster

?

6.5

/44/

60

/1/

63

/6/

It is a chronological compilation of film clips, awards ceremonies and brief period interviews gathered by journalist Sandro Lai.

poster

?

6.3

/10/

A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.

poster

44

?

3.3

/41/

40

/2/

40

/1/

3.2

/236/

Thirteen filmmakers talk about Henri Langlois and their relationship with him.

poster

65

?

7.1

/166/

70

/2/

52

/5/

70

/10/

65

/4/

An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

poster

?

7.1

/16/

60

/1/

In this visual essay, renowned film critic and historian Adriano Apra takes a closer look at Bernardo Bertolucci's work with Pier Paolo Pasolini on La Commare Secca and discusses its poetic qualities and visual style; Before the Revolution, which was inspired by the French Nouvelle Vague; Agony, a segment from the anthology film Love and Anger; the politically charged Partner, with Pierre Clémenti, which was filmed during the '68 student riots; and The Spider's Stratagem. Adriano Apra also discusses The Conformist and its unusual color scheme, the camera movement, the lensing, etc. Also included in the essay are clips from a very long interview with the Italian director in which he explains how The Conformist came to exist, and discusses its production history, its script and Alberto Moravia's novel, the casting process, the key conflicts in the film, etc.

poster

?

7.1

/87/

65

/2/

Documentary on the filming of Novecento by Bernardo Bertolucci

poster

?

7.1

/38/

20

/1/

100

/1/

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

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