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The Best Klaus Lemke Movies. Go to The Best Shows

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6.8

/16/

10

/1/

N/A

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7.3

/7/

10

/1/

60

/1/

A woman decides that her boyfriend has to marry her.

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5.5

/21/

50

/2/

All about casting. And about Lemke. And orgasms through thought transference. Plus: All about financing non-government movies.

poster

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6.3

/11/

A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."

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10

/1/

N/A

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6.3

/87/

50

/1/

Two young women kidnap the manager of the German telephone provider and start making strange demands while getting to know their captive a little better

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6.0

/17/

A gang of film and sex addicts steal the camera, cast and story for their first movie.

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6.3

/10/

20

/1/

Klaus Lemke steps out of the door of his Munich apartment and stands on Leopoldstrasse, where he has “lived” for many years. His documentary film is an avowedly gaudy declaration of love for Schwabinger Strasse, the people who live there and their realistic language.

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10

/1/

A film critic falls in love.

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6.6

/8/

10

/1/

18 year-old Sabine wants to lose her virginity in order to win back her ex-boyfriend Klaus. She asks her extremely shy classmate Martin for help.

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7.6

/16/

10

/1/

Douglas speaks about some of the stars he has directed like Asta Nielsen, Lili Dagover, Zarah Leander, George Sanders, Signe Hasso, Barbara Stanwyck, Jane Wyman and many others.

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7.1

/15/

45

/1/

In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.

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7.3

/20/

10

/1/

Documentary about the current state of German cinema. Produced for German television.

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10

/1/

Two men and a woman drive towards a strange ceremony.

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4.3

/24/

60

/1/

Charming but scheming "Colonel" Monk arrives to Ibiza in search of his missing son. He spends most of his time talking with his son's girlfriends and it turns out that the son might not actually want to be found.

poster

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10

/1/

Markus, 16, goes to the city where his big brother Mischa will show him the ropes. But Mischa has gambled away his money, leading to theft and deeper troubles. Markus must take revenge.

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5.4

/24/

30

/1/

52

/4/

On the run from her ex-lover, Judith hides in the toilet at the Munich Art Academy. In the basement. She wants to hijack the snobbish art scene with a scandal video.

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10

/1/

Everyday life in a commune near Munich in the spring of 1969

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10

/1/

Short film by Martin Müller

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5.6

/49/

10

/1/

100

/1/

Teenager Raphaela was born blind into a wealthy, material focused family. Her father escapes reality into an affair with his secretary while her mother reacts to the difficult situation in an over protective and possessive conduct towards her blind daughter.

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7.0

/9/

10

/1/

A man bored with his wife goes to the Munich Oktoberfest. He meets a pregnant student who discusses the problems of bourgeois marriage with him and finally returns home disappointed.

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6.5

/18/

10

/1/

60

/2/

In a future world devoid of men, three young women order two men to come to them and ask them which of them they would prefer.

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6.1

/51/

10

/1/

70

/1/

Munich in the 1970s: A group of young people are killing time. Sylvie has broken up with her boyfriend, and a short time later he marries someone else. The slacker Rolf enters Sylvie's life and together they decide to form a circus group with their friends, mostly untalented petty crooks, and move to the provinces.

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6.6

/16/

10

/1/

65

/2/

A young drifter falls in love with a model.

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4.0

/27/

Tini would like to be a writer, but unfortunately she doesn't have the talent. At least she finds a supposed bestselling author on Fuerteventura, for whom she is merely a means to an artistic end.

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5.9

/15/

50

/1/

Cleo is a barmaid at Munich's top disco "Sugar Shake". She definitely thinks she's the first prize at any erotic lottery - and she has a heart, too.

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38

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4.1

/242/

41

/7/

29

/9/

Young Tina has a big dream, she wants to become a successful pop singer. That's why she tries her luck in the music show 'Formel Eins'. There she meets all kinds of stars like Falco, Meat Loaf, Die Toten Hosen and Pia Zadora and of course the presenter Ingolf Lück. The result is a colorful mix-up and the question arises as to whether Tina can make her dream come true.

poster

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90

/1/

»I’d prefer to be the film myself than just the director«: with Klaus Lemke, the boundaries between life and screen are fluid. For more than 50 years he has made films on low budgets using amateur actors without a screenplay. His cinema is brutal and impulsive, every film a slap in the face for the staid productions of the mainstream. In Bad Boy Lemke, he brings unfinished projects to an end and reflects on his body of work – of course à la Lemke: radical, confusing and powerful.

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41

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5.9

/146/

10

/1/

55

/8/

A young man gets caught up in criminal activities in order to fulfill his desire for an easy life.

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6.1

/102/

10

/1/

53

/8/

Two rival gangs try to obtain the five parts of a dangerous formula held by five scientists.

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6.7

/70/

10

/1/

70

/5/

Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons.

poster

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6.4

/81/

70

/1/

80

/1/

An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.

poster

41

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5.3

/126/

30

/2/

39

/7/

In this comedy, Iris Berben plays a mysterious, supernaturally beautiful girl from another planet, who confuses and flusters the men on earth, where she has landed. The men follow her wherever she goes. Marquard Bohm is no exception here - he leaves his wife in a lurch and travels with the Supergirl to Spain. The girl doesn't tell much about herself; she reports, though, about an impending threat from outer space.

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5.8

/22/

10

/1/

T. finds a letter. Instead of just dropping it in a mailbox, he decides, conscientious as he is, to deliver it personally. He wanders the entire world, discovers astounding forms of existence, but cannot be hindered from his duty and keeps looking until he finally finds the address. There, he finds out that he has delivered his own judgment.

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The Nightingale of Ramersdorf is one of the most dazzling but also the most tragic figures of the German neighborhood scene. What began in the Munich chic of the 70s led to the sad life as Tingel-Chansonnier in Berlin through various supporting roles in films by Rosa von Praunheim. The quarrelsome artist never had a loyal fan base. But all the more people talk about him in the pubs, where he was accompanied by a ghetto blaster who was hated by the often involuntary audience. Because in truth there is usually nothing better to tell. Meanwhile, the nightingale of Ramersdorf is impoverished, a care case and almost blind. But she was left with the unmistakable voice and the memories of her own time.

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5.2

/83/

Lucius Glantz, a veteran hotel manager in Vienna, fights to save his beloved establishment from a scheming realtor's plan to demolish it, leading to a clash of wills that even affects the hotel's renowned soufflé recipe.

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N/A

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What happens when you fly to Goa to capture the crazy reality of the “enlightenment industry and drug use” in a documentary? The result can only be one thing...

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