mdblist.com logo The Best Donna Kerness Movies. Go to The Best Shows


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poster
72
34
7.2
/338/
64
/11/
70
/9/
3.5
/462/
89
/18/
76
/17/
67
/10/

It Came from Kuchar (2009)
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
poster
50
32
5.3
/1893/
50
/56/
46
/57/
3.1
/3567/
42
/14/

Hold Me While I'm Naked (1966)
Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.
poster
61
28
6.0
/398/
47
/11/
60
/15/
3.5
/898/
69
/369/

Sins of the Fleshapoids (1965)
One million years in the future, the human survivors of a nuclear war are served by robots called "fleshapoids." One day, fleshapoid Xar runs wild, kills its mistress and seeks its mate, a servant of wicked Prince Gianbeno.
poster
?
6.2
/5/
10
/1/

Lovers of Eternity (1964)
A lonely, bohemian poet befriends the good, the bad and the ugly in this rooftop drama set in New York's lower East side of Eden.
poster
?
6.2
/12/
10
/1/

Night of the Bomb (1962)
The film combines teenage lust and deranged delinquency to create a cautionary tale for the ages.
poster
?
20
/1/
50
/2/

Secrets of the Shadow World (1999)
This three-part mini-series explores the mysterious and the mundane in a splash of digital dioramas that wipe across the screen in a cascade of electronic barfs. Zeroing in on the paranormal theories of UFO author John A. Keel, this leisurely exposition, which was funded by the Rockefeller Foundation, sweeps the viewer into a candy-colored world of scintillating mysteries made all the more intriguing by culinary digressions.
poster
?
5.9
/10/
10
/1/

The Slasher (1958)
An insane, deformed killer stalks the grounds of a resort house, bringing sudden violence to those of easy virtue and godlessness.
poster
?
10
/1/

Secks (1970)
"...in a film abounding with humor and fertile with suggested points of departure for at least half a dozen more pictures, clearly deserves the encouragement that a top award can give." - Statement of the Judges of the First International Erotic Film Festival (Bruce Conner, Maurice Girodias, and Arthur Knight)
poster
?
4.4
/14/
10
/1/

Face (1969)
The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and the real, are intercut and edited making into a film. The sound is the voice of continuous laughing of a woman repeated from a loop-tape. What I try to realize in this film is the question of gender through the facial expression in sex between woman and tranvestized man, and the image in detail between the ac ting and the real life. When these factors are mixed, one can hardly distinguish one from the other.
poster
56
?
6.6
/120/
53
/3/
50
/8/

The Secret of Wendel Samson (1966)
A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.
poster
?
6.5
/65/
20
/2/
50
/2/

Corruption of the Damned (1965)
Corruption of the Damned might seethe with violence and sex, the two most attractive things you can put on the screen, but beneath them a twisted outlook pervades.
poster
?
10
/1/

River Windows (1966)
"A film counterpointing the hard reality of the present with the fantastic actuality or imagining of the idyllic past. This is best realized in the halting transition from the journey through time back to the watery one that evoked." –Ken Kelman
poster
?
10
/1/

Jangleflex (1968)
An abstract, rhythmically cut film with various images of women, some of whom are dancers. The sound track, which is semi-electronic, is composed and played by Cowan. –B. C.
poster
?
10
/1/

Lust for Ecstasy (1964)
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar
poster
?
7.4
/13/
10
/1/

Unstrap Me (1968)
Exhausted by a sexually frustrating home life in the Bronx, portly, 65-year-old Uncle Bojo tosses aside all responsibilities, leaves his wife, Stella, and sets out in search of adventures.
poster
?
6.2
/19/
10
/1/
80
/2/

Pussy on a Hot Tin Roof (1963)
“It glows with the embers of desire! It smokes with the revelation of men and women longing for robust temptations that will make them sizzle into maturity with a furnace-blast of unrestrained animalism. A film for young and old to enjoy.” —George Kuchar
poster
?
6.5
/71/
10
/1/
50
/2/

Pagan Rhapsody (1970)
Edgar, an aristocrat, commissions Camillo to write a play based on an affair he had ten years ago with the Countess del Monaco. But Edgar first has to find a suitable actress to play the Countess – his search will lead to his own death.
poster
53
?
6.5
/79/
40
/2/
56
/5/

The Devil's Cleavage (1975)
A shady motel manager becomes obsessed with a neglected wife.
poster
?
5.3
/70/
42
/8/
49
/10/

Tootsies in Autumn (1963)
[A] cautionary tale about past-their-prime thespians caught up in a typically Kucharian vortex of madness. - Anthology Film Archives
poster
?
10
/1/

Urchins of Ungawa (1994)
In a garden of roses and memorabilia from darkest Africa, a man and woman ponder the joy of cooking and the companionship of cats. Goodies for the guts abound in this visual essay on feline friendship and far away places. An electronic voyage beyond the stench of house and garden that transports the viewer- and cat- to the promised land.
poster
?
10
/1/

A Tub Named Desire (1956)
"A Tub Named Desire," the first movie with Donna Kerness, does not exist anymore, except for one 8mm print that was in George Kuchar's possession. The footage was taken apart, and some of it is included in "The Naked and the Nude." - Carnegie Museum of Art archive.
poster
?
6.2
/45/
20
/3/
45
/4/

No President (1969)
Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie, a liberal Republican who ran against FDR in the 1940's. The climax of the work appears to be the "auctioning" of the presidential candidate at a convention.
poster
?
7.1
/36/
25
/2/
47
/3/

Born of the Wind (1964)
A tender and realistic story of a scientist who falls in love with a mummy he has restored to life.
poster
60
?
6.7
/156/
36
/3/
70
/8/
3.5
/322/

The Craven Sluck (1967)
A desperate, married woman meets a mysterious man who she blatantly desires. Through some twists and turns, things do not go over as well as she seems to wish.
poster
?
10
/1/

Rockflow (1968)
"Parts of this film were shot for a mixed media show at the 'Electric Circus' in New York, and were later expanded and re-edited into the present form. A semi-documentary that gradually expands to a pure sight and sound experience. Music by Chambers Brothers." –B. C.
poster
?
10
/1/

Bill's Hat (1967)
"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.
poster
?
6.8
/19/
10
/1/

Color Me Shameless (1967)
N/A
poster
?

Sherman Acres (1992)
A drama in six episodes involving psychological breakdowns, marital showdowns, and messy obsessions. The characters include a wayward priest, a promiscuous school-teacher and her proctologist husband, teenage thrill killers, and an obsession-driven psychotherapist with an enema bag. Lots of special effects, as it moves quickly from one major crisis to another.
poster
?

Seadrift (1976)
Seadrift is based on a story The Shadow Over Innsmouth by H.P. Lovecraft, and was shot partially in Marblehead Mass. Each section represents a synthesis of the various aspects and moods of the story. The sum total of the fragments expresses the atmosphere of the whole.


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