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poster
?
5.4
/7/
10
/1/

L'Agression (1973)
N/A
poster
?
100
/1/

Autour d'un Film de Montagne (1944)
Making of the cinematographic shooting of "Premier de Cordée" directed by Louis Daquin in the Mont-Blanc massif. In 1943. Alain Pol films the risky adventure of filming in the high mountains with a team of seventy people. The images of the making-of reveal the technical constraints encountered by the actors and technicians: falling rocks, crossing glaciers and long approach walks at altitude to the filming locations. Six actors and technicians will also be injured and the main role - that of Pierre - will be reassigned to André Le Gall following a bad fall by Roger Pigaut.
poster
?
6.6
/8/
77
/3/

Le Parti du cinéma (2021)
N/A
poster
?
4.2
/9/
10
/1/

Léa in Winter (1971)
It starts with the discovery of a woman's corpse, then gradually reveals the past of this woman as well as the police investigation which follows the discovery.
poster
?
6.4
/11/
10
/1/
70
/1/

Paris mange son pain (1958)
This short documents the important role played by bread in the daily life of the city of Paris.
poster
?
7.0
/64/
80
/2/

The Mark of the Day (1949)
In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.


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