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poster
75
7.3
/62473/
73
/1968/
72
/1256/
3.4
/29320/
85
/27/
84
/1962/
73
/6/
cc age 10+

The Gods Must Be Crazy (1980)
A Coca-Cola bottle dropped from an airplane raises havoc among a normally peaceful tribe of African bushmen who believe it to be a utensil of the gods.
poster
64
6.8
/18914/
69
/756/
71
/524/
3.2
/6334/
50
/14/
70
/381/
51
/17/
cc age 10+

The Gods Must Be Crazy II (1989)
Xixo is back again. This time, his children accidentally stow away on a fast-moving poachers' truck, unable to get off, and Xixo sets out to rescue them. Along the way, he encounters a couple of soldiers trying to capture each other and a pilot and passenger of a small plane, who are each having a few problems of their own.
poster
56
31
5.4
/1362/
60
/48/
52
/55/
3.1
/516/
57
/4302/

The Gods Must Be Crazy: Crazy Safari (1991)
Two guys, one of them a magician, are transporting an ancient chinese vampire who can only be controlled by a series of yellow tapes, and is the ancestor of the other guy. On the way, while flying over Africa, their plane stalls. And of all places, where do they land? That's right, in the village of the tribe of "The Gods Must Be Crazy".
poster
46
22
3.8
/489/
38
/26/
54
/17/
56
/63/

The Gods Must Be Funny in China (1994)
Hijinks ensue when N!xau the Bushman travels to Beijing, where he's recruited to accompany a track team on a week-long survival race through the Chinese wilderness.
poster
42
10
4.3
/709/
42
/37/
45
/24/
3.0
/200/
23
/3/

Crazy Hong Kong (1993)
In the early 1990s, Nǃxau was cast in three low-budget unofficial sequels that continued the fish-out-of-water aspects of the first two films.
poster
?
6.4
/24/
60
/2/

Journey to Nyae Nyae (2004)
N!xau (G/qa'o), the star of The Gods Must Be Crazy (1980), is visited in 1990 and shortly before his death in 2003; the way he and his fellow San (Bushmen) people live is not the idyllic lifestyle portrayed in the 1980 film.
poster
Kanopy
?
6.9
/22/
10
/1/

In Darkest Hollywood: Cinema and Apartheid (1994)
A documentary overview and ideological critique of the South African film industry and cinema's historical relationship with apartheid.


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