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The Best Boris Vian Movies. Go to The Best Shows

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poster

66

47

6.6

/3462/

66

/66/

67

/113/

3.3

/1459/

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...

poster

71

42

6.8

/1643/

70

/30/

64

/44/

3.4

/977/

88

/8/

69

/12/

Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there is one rule: never fall in love. But this time Valmont falls madly in love with a girl he meets at a ski resort, Marianne.

poster

?

7.4

/12/

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

poster

?

6.3

/13/

70

/1/

60

/1/

In 1946, the controversial French writer Boris Vian writes his novel I Spit on Your Graves under the pseudonym of Vernon Sullivan, supposedly a mysterious African-American writer; a work against racism and Anglo-Saxon puritanism whose publication causes a great scandal.

poster

?

6.2

/27/

10

/1/

This is the story of an obsession. Mona Lisa keeps smiling quizzically while our poor hero is pursued by her representation in all its forms, in all places. She smiles at him in a museum, at a bookseller along the banks of the Seine, in the streets, at a café. Enough to drive him up the wall!

poster

?

10

/1/

N/A

poster

?

7.1

/30/

10

/1/

N/A

poster

?

6.9

/16/

70

/1/

Boris Vian was a man of many interests and talents. He played the trumpet, wrote criticism, essays, novels, poems and plays, did some painting and sculpting. Philippe Kohly chooses to recount Boris Vian’s life through his love for jazz, his quest for freedom, his taste for celebration.

poster

?

7.4

/10/

80

/1/

10

/1/

N/A

poster

?

6.9

/82/

30

/2/

53

/6/

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

poster

?

6.7

/96/

65

/2/

62

/5/

As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.

poster

?

5.6

/85/

46

/3/

43

/3/

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

?

French horror comedy short from 1947.

poster

?

On June 23, 1959, Boris Vian died of a heart attack while watching the film "I Spit Οn Your Graves", a frivolous adaptation of his novel of the same name, which he released under the pseudonym Vernon Sullivan. Taking as a starting point this fateful date for Vian's relationship with cinema, the documentary looks back at his cinematic experiences, his appearances in several films, his friendship with director Pierre Cast and his many unrealized screenplays. From the post-war period to the dawn of the 1960s, from the cellars of Saint-Germain-des-Prés to his apartment in Place Blanche, it is about the portrait of a diverse author who loved cinema with passion.

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