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poster
Netflix
87
8.2
/1008270/
79
/18700/
81
/13033/
4.1
/2052841/
89
/163/
93
/13435/
94
/23/
cc age 17+

Taxi Driver (1976)
Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.
poster
82
7.6
/69094/
76
/1565/
75
/918/
3.9
/70823/
81
/144/
87
/4568/
85
/32/
cc age 17+

Waking Life (2001)
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
poster
65
6.6
/23414/
67
/378/
65
/488/
3.4
/31046/
57
/49/
58
/386/
64
/11/

New York, New York (1977)
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
poster
Criterion Channel
71
52
7.3
/2124/
69
/52/
66
/42/
3.8
/6554/
70
/10/
72
/24/

American Boy: A Profile of Steven Prince (1978)
Martin Scorsese spends an evening with larger-than-life raconteur Steven Prince—a former drug addict, road manager for Neil Diamond, and actor—as he recounts stories from his colorful life.
poster
64
?
6.8
/173/
50
/1/
73
/3/

American Prince (2009)
After being forgotten for 30 years, the filmmaker revisits Scorsese's lost documentary 'American Boy' and it's raconteur subject, Steven Prince.
poster
60
?
6.8
/65/
46
/3/
60
/3/
3.5
/213/

Movies Are My Life (1988)
The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.


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