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The Best Christian Molina Movies. Go to The Best Shows

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poster

42

10

5.6

/479/

51

/9/

50

/12/

14

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job and his agent wants to leave him - current directors will never give him a role. He hates current talentless stars on TV talk shows. Suddenly, he finds some job - as a living sculpture in a whore house working for a Mr. Reficul and his transsexual assistant Dora Grizzel. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state. He also meets job partner Tic-Tac, an ex-prostitute who will sympathize with Pablo. Pablo also attracts the attention of unusual producer Ambrose Fuch, who wants him to act and direct movies. Everybody seems to have something to hide - including serial killer Pablo.

poster

33

?

4.5

/250/

33

/3/

20

/3/

A woman journalist, Zoe, knows better than to go into a story with her mind already made up. But that's exactly what she does when she heads off to Spain to write about its men and their macho take (as she sees it) on relationships. As she tries to prove her thesis, she soon realizes that she doesn't know as much about the male sex as she thought. She also finds herself involved in relationships with the wrong men.

poster

?

6.0

/69/

60

/3/

35

/2/

Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.

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