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The Best Joyce Wieland Movies. Go to The Best Shows

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poster

56

46

5.3

/3330/

50

/68/

52

/91/

3.5

/9579/

56

/43/

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

poster

62

32

6.4

/887/

50

/25/

63

/31/

3.8

/2627/

59

/7/

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathematician Max Zorn in 1935. Zorns Lemma is prefaced with a reading from an early grammar textbook. The remainder of the film, largely silent, shows the viewer an evolving 24-part "alphabet" (where i & j and u & v are interchanged) which is cycled through, replaced and expanded upon. The film's conclusion shows a man, woman and dog walking through snow as several voices read passages from On Light, or the Ingression of Forms by Robert Grosseteste.

poster

61

20

6.5

/292/

43

/8/

64

/12/

3.7

/1243/

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

poster

51

14

5.2

/287/

40

/13/

50

/18/

3.2

/672/

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities.

poster

?

10

/1/

Home movies shot on Super 8mm by W+B Hein over 10 years.

poster

?

10

/1/

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

?

10

/1/

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

poster

49

?

6.5

/22/

10

/1/

3.5

/216/

Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of a now vanished neighborhood beneath the Brooklyn Bridge.

poster

55

?

6.8

/79/

25

/2/

59

/5/

3.5

/278/

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We said we were going to make a film about each other - and we did”. A & B in Ontario was completed eighteen years after the original material was shot. After Frampton's death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators shoot each other with cameras.

poster

?

7.0

/12/

10

/1/

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part three of my trilogy that started with HOLD ME WHILE I'M NAKED and ECLIPSE OF THE SUN VIRGIN. It evidently is, since part three never really came out. This seems to look like it could be part three. — GK (anthologyfilmarchives.org)

poster

42

?

5.0

/110/

27

/5/

48

/10/

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights and myself to it. 'The Housewife is High.' Water Sark is a film sculpture, being made while you wait."

poster

49

?

6.0

/72/

10

/1/

55

/1/

3.5

/403/

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

poster

62

?

6.6

/138/

27

/5/

79

/7/

3.7

/375/

Various unrelated vignettes, often juxtaposing sound and image.

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