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The Best Alberto Grifi Directed Movies

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poster

72

14

7.4

/163/

75

/4/

67

/16/

3.7

/469/

A documentary ostensibly about Anna, a young drug addict taken off the streets by one of the filmmakers. Through her they attempt to explore the social issues from their hippie perspective, instead they create a revealing, uncomfortable self-portrait and inadvertently raise questions about documentary film-making.

poster

62

12

6.1

/164/

53

/8/

66

/17/

3.4

/297/

A short film containing a collection of clips from various Hollywood movies.

?

90

/1/

After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.

poster

?

60

/1/

60

/1/

Shot by Alberto Grifi at the Parco Lambro Juvenile Proletariat Festival between 26 and 29 June 1976. Grifi, together with Franco Berbero and a young Claudio Caligari, filmed 25 hours on video and 3 hours on film which never made it to the final cut of a report for which he had been called by the organizers, the editorial staff of the magazine 'Re Nudo'.

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10

/1/

They were projected during the theatrical event.

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10

/1/

Only the working copy exists. The negative was destroyed by the production. With Beppe Lenti. The title says it all: the production, tired of the fact that during the making of the film we were changing the script at night, denied us the generator to shoot some reverse shots. So there are actors who at night, in a concrete statue factory, talk to other actors, in a car cemetery, in the sun.

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10

/1/

Lost film. "I have absolutely no memory of what happens in the film." ―Alberto Grifi

poster

?

6.8

/19/

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

poster

?

10

/1/

The laugh-out-loud adventures of a drug dealer and his customers struggling with a joint, filmed in the hippy commune of Terrasini, near Palermo.

poster

?

6.8

/6/

Hospital documentary on the testing of a medicine produced by a known pharmaceutical company on people considered psychiatrically calibrated that caused a "vascular storm" with horrible convulsions. Patients were discharged when they could make the fascist salute. Found at the market of the Fiera di Senigallia in Milan, signed by Grifi as ready-made.

poster

?

6.6

/25/

40

/3/

60

/5/

On a theatrical work by Aldo Braibanti, the special effects used in an attempt to construct a new visual grammar capable of describing "the new geography of boundless perceptions and imaginaries, the emergence of memories from the very distant phylogenetic past of our animal ancestors, a gift of psychotropic substances."

poster

?

10

/1/

A happening that lasted 12 hours in the Feltrinelli bookshop in Rome. The soundtrack (background weaning) was put together by the crowd, recomposing, without listening to them, pieces of magnetic film that had been distributed around. There are almost all the painters, directors and actors of the Roman avant-garde.

poster

?

5.7

/16/

35

/2/

55

/6/

A prison escape gone wrong. A man and a woman meet in an apocalyptic scenario, in the midst of an obscurantist wave of repression of consciences.

poster

?

6.8

/6/

The intervention of a student at the "counter convention" at the Fabbrica della Comunicazione di Brera, against the convention on anti-psychiatry by A. Vermiglione.

poster

?

7.2

/15/

40

/2/

40

/3/

A film about painting and its denial concerning Giordano struggling with the Sleeping Beauty, this is the challenge. Will art, free of museums and academies be able to give back to the child raped and abandoned on the snow, the desire to go on living? Giordano, Prince Charming bearing butterfly catchers and rotating optical games, plods along sinking into the snow and… but revolutionary creativity is not the one that makes the bird in the cage sink: is it the reason why the imprisoned bird breaks the cage.

poster

?

6.3

/21/

45

/2/

20

/2/

In the distant future, a spaceship inhabited by a group of young descendants of a "subversive" minority who escaped the destruction of the Earth, recovers a capsule in which the hibernating body of a reactionary warmonger has been preserved, who after having caused war and death, it has abandoned the now unlivable Earth. The visual experimentation aimed at the liberation of the gaze is intertwined with psychedelic visions on the one hand and with the orgone theory of Reichian memory on the other.

poster

?

6.4

/21/

20

/1/

Michele, a political prisoner, witnesses the violence and fury of guards against a drug addicted prisoner.

poster

?

6.3

/28/

This is a quite a rare example of a political sci-fi filmed without means. An excessive and schizophrenic creature, DINNI E LA NORMALINA allows Grifi’s more playful soul to see the light, while not dispersing the dark reflection on the exploitation by media institutions.

poster

?

6.2

/15/

20

/1/

50

/1/

This film deals with the theme of the heritage left to the underground cinema by the historical avant-garde.

poster

?

6.6

/14/

70

/1/

10

/1/

Between June 26 and 29, 1976, the sixth edition of the Festival of the Juvenile Proletariat took place at Parco Lambro in Milan, an event conceived by the countercultural magazine Re Nudo. The organizers invited Alberto Grifi to film those days filled with meetings, debates, and concerts, but not everything went as planned. This is the 58-minute version (from 27 hours of footage) edited by Grifi himself after the event.

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I Fuori Campo di Anna are approximately 30 tapes containing the video footage from which the film was edited, along with other video material shot during the same period. Thanks to the work of Annamaria Licciardello, the Cineteca Nazionale, the A.P.S. Grifi, and the La Camera Ottica lab in Gorizia, these hours of footage have been restored and made accessible.

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Following the radios of the movement, this film appeared as a protest - one of the first demonstrations of an antagonistic self-managed communication over the entire territory of the nation that resulted in a debate and a collective work in many Italian cities dealing with counter-information and liberation of informatic technologies.

poster

?

A trip in an automobile described in the style of the phonetic poetry by Patrizia Vicinelli.

poster

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"A partire dal Dolce brings together "portraits-interventions" of a dozen or so thinkers, artists, friends of Gianfranco Baruchello (including extremely rare footage of Jean-François Lyotard), who comment on the concept of the "dolce" (gentle/soft/sweet)" Claudine Eizykman, Les Rendez-vous du Cinéma Expérimental, February 2000

poster

?

A film about Alfonso, who was the protagonist of the third episode of Paisà (the street urchin who steals the American soldier's shoes). A reflection on neorealism, filmed with Michele Schiavino and Maria Paola Fadda, third special Sony video prize at the Locarno Film Festival.

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