mdblist.com logo The Best Lutz Mommartz Directed Movies


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poster
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5.8
/26/
10
/1/
90
/2/

Markeneier (1967)
White eggs are "dancing" over a black background. First it's just one.
poster
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10
/1/

The Fear at the Rhein (1974)
The communist party UZ celebrates on the meadows of the Rhine one of the biggest folk festivals that Düsseldorf, Germany, has ever experienced.
poster
?
6.4
/43/
10
/1/
77
/3/

Self Shots (1967)
Self shots are the optical Biographie of an unorthodox film producer. Director, cameraman and actor in a person, he directs the camera against itself. It plays with her, throws her into air, races over the meadows, films its movements, his face and his hands and demonstrates thereby its adventurous relationship to a 16 mm camera. Not an action thus, but filming becomes the action. The Godard' Bonmot of filming as ' truth 24 times in the second ' made Mommartz in his films conscious like hardly another. (Wilfried Reichart Kölner Stadtanz 4.1.68)
poster
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45
/2/
60
/1/

Up / Down (1967)
Experimental film with a rock music soundtrack.
poster
?
10
/1/

Overwhelmed (1969)
Featuring Wolfgang Domke. Transfixed at a table, a man drinks a lot of alcohol, eats a lot of beets and cream cakes in order to make himself vomit. During this hour long process he becomes disillusioned and talks about his concept of the future.
poster
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30
/2/

The Beautiful Sigmar (1971)
New Year's Eve party with Sigmar Polke at the Kohlhöfers' in Düsseldorf.
poster
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20
/1/

Window to The Yard (1996)
View from a balcony window with details from buildingparts in a rhythmic blending technology of a Canon Hi 8 camera. Tribute to Siegfried Kracauer.
poster
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10
/1/

Otto Piene's Studio Party (1966)
1966 Otto Pienes studio celebration recorded by Lutz Mommartz with his N8 MOVIKON 16 Bsec in Düsseldorf/Germany on the Hüttenstrasse.
poster
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10
/1/

Social Sculpture (1969)
"Social Sculpture" was filmed in 1969 subsequently after the filming of "400 m IFF". IFF is the name of the available film material, that was already expired, from which approximately 400 m were used for "400 m IFF" and the rest for "Social Sculpture". In "400 m IFF" three men appear in front of the filming camera in the apartment of the author. With Joseph Beuys this situation had been appointed, the other two visitors came by chance before him and played instinctively. "They all noticed the exceptional situation, but could not count on the sovereignty to carry out their point. And even during the operations on the screen, the viewer becomes a participant who cannot avoid the question of how he would have behaved in the same situation."
poster
?
10
/1/

The Breath of Sheep (1970)
In Düsseldorf-based filmmaker Lutz Mommartz’s Das Atem des Schafes (The Breath of the Sheep, 1970) we see Scotland as an outsider. Recorded on a trip to the Highlands ahead of his participation in Strategy: Get Arts – a landmark exhibition at Edinburgh College of Art – Mommartz’s 8mm film testifies to the Scottish imaginary that preceded self-representation. Mist-wrapped mountains and a maggot-infested sheep carcass are soundtracked by stretched-out psychedelia, encoding this as a place of wildness." - Marcus Jack 8mm - b/w
poster
?
4.6
/5/
10
/1/

The Stairs (1967)
The author uses the camera as the eye, moves so one-handed through home and welcomes after peeing with his free hand, people at a party.
poster
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4.8
/15/
10
/1/

Tango Through Germany (1981)
Aging film star Eddie Constantine travels through Germany.
poster
?
6.7
/37/
30
/2/
50
/4/

Way to the Neighbour (1968)
A woman looks on incessantly at the spectator in a demonstration of love.
poster
?
6.0
/8/
10
/1/
10
/1/

Old Age Porn (1970)
On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM
poster
?
6.0
/20/
10
/1/
40
/1/

Focus (1987)
A short video- and sound montage by Lutz Mommartz.
poster
?
4.3
/56/
15
/4/
37
/3/

Railroad (1967)
In this short, a camera pointed towards a window films the landscape as a train moves along the track.
poster
?
7.3
/7/
55
/2/

3 Glasses (1968)
With Jörn Janssen, Ulrich Wiethoff and Norbert Stratmann in a conference without words. 3 men meet wordlessly and start turning their fingers at the edges of wine glasses until the sound becomes independent.
poster
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Margret’s Film (2007)
N/A
poster
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As if by Beckett (1976)
A married couple is having a caustic argument in front of a camera.
poster
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The Garden of Eden (1977)
N/A
poster
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Mambo (1975)
Dancing, cavorting, wasting time. "First Community film after establishing the film class at the Art Academy Münster, Germany [...] all white dressed and with white makeup against black background." (LM)


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