mdblist.com logo The Best Michèle Rosier Directed Movies


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poster
?
6.9
/13/
20
/1/

Malraux, tu m'étonnes! (2001)
Feature film about the life of André Malraux. While still a teenager, Malraux embarks on an initiatory journey in search of the artistic and literary culture of Paris. He won the Goncourt Prize for his fourth novel and went to Spain to fight fascism.
poster
?
6.3
/98/
32
/4/
50
/4/

Kiss Me (1989)
The life of a twelve-year-old living with her mother is disrupted by the arrival of a very young man at home. While her feelings become confused and the dramas burst, the girl will try to find in his entourage someone able to listen and understand it, before the worst happens.
poster
?
6.0
/62/
10
/1/
42
/4/

George Who? (1973)
The film depitcs the life of the French author George Sand.
poster
43
?
4.9
/111/
45
/4/
37
/4/

Ah! The Libido (2009)
Four women, all journalists for the French daily "Libération", decide to have, over the course of a week-end, an experience with a male prostitute.
poster
?
6.4
/67/
80
/1/
35
/4/

My Heart Is Red (1977)
A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.
poster
?
7.0
/19/
10
/1/

Pullman paradis (1995)
“Traveling is not just going places, but meeting people, remarks a character in Michèle Rosier's refreshing human comedy. 18 people board a tour bus to Mont-Saint-Michel, eager and jittery — cameras aimed, desires out of focus. The motley crew includes a maturing maid mad to marry, a discreet Irishman, a pompous bourgeois, and a mysterious lady in Renaissance attire who looks as though she's lost her castle.No matches made in heaven here; in fact, the characters seem bent on driving each other crazy before the tour's end.When the bus is attacked by highway thieves, and its occupants divested of jewels and money, the misadventure makes them accomplice ... a kind of spell is cast on these mere mortals, shaken from their moorings, who quit their banality and take off from the big bus into another space, outward bound.” — Joan Dupont
poster
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La femme, l’homme (1975)
"With a sly nose-thumbing attitude for the tired rigors of documentary sociology, LA FEMME, L’HOMME sees the filmmaker asking women from a variety of personal backgrounds for their opinions on the future of femininity – anticipating the interviews with working-class women that formed the backbone of her second theatrical feature MON CŒUR EST ROUGE." - Spectacle Theater


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