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The Best Gösta Werner Directed Movies

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poster

69

39

7.3

/879/

64

/39/

67

/32/

3.6

/9393/

In a Swedish village, situated in a rural idyll, a father, mother and little daughter are preparing breakfast on a Sunday morning. The family is looking forward to the boat trip that is to follow. The little girl's thoughts are already completely on the water. But there is no sugar in the house, so the mother sends her little daughter to the neighbor across the street to quickly get some. Two villages further on, a young man is filling up his car with gas so that he can drive to the Baltic Sea with his girlfriend. In their convertible, the young people feel blithe and free on the country road and race towards the village where the little girl is just crossing the street with the sugar to return home.

poster

?

3.6

/17/

40

/2/

Gun and Robert are in love, but both are unfaithful during Robert's military service. For Gun, this results in her becoming pregnant and for Robert an infection of syphilis.

poster

?

4.3

/10/

10

/1/

The rootless, misfit artist Bengt Hallberg escapes from a mental hospital. The head doctor believes him to be a hopeless case and dangerous for the environment. Bengt looks up Inga Larsson, the only person that matters to him.

poster

?

10

/1/

A man comes home to his apartment in the evening. On the tape recorder, his wife has left a message.

poster

?

6.6

/6/

10

/1/

60

/1/

Available episodes of missing movies by Mauritz Stiller.

poster

?

10

/1/

The Swedish people, nature and culture, the welfare, social and health care. Swedish inventions, industry international projects. Swedish beauty and design.

poster

?

20

/1/

A man sees a woman in a mirror. In a disturbed state, he breaks the mirror.

poster

?

10

/1/

About the importance of personal responsibility and the advantages of sobriety.

poster

?

10

/1/

Stockholm and it's traffic problems.

poster

?

10

/1/

Episodes about life and death.

poster

?

10

/1/

Norrland in Sweden while the power plant dams are being built.

poster

?

10

/1/

Images from places around Sweden, among them Gothenburg, Gotland, Mårbacka mansion and Norrland.

poster

?

2.8

/6/

10

/1/

Algot and Bengt have built a house together. But they can not agree on how ownership should be distributed between them. In addition they don't get any mail since the Post office refuse to hand it out.

poster

?

10

/1/

Gösta Werner makes an unsentimental trip back to his old student city. gauging it's past and it's future.

poster

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10

/1/

A potrait of Malmö, lovingly told by Gösta Werner and Nils Poppe.

poster

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10

/1/

The film tells the story of the sea fortress Sveaborg.

poster

?

10

/1/

Stockholm sunset with night lights.

poster

?

10

/1/

A monologue of a woman who tells about her life, mainly about the men she met, while walking.

poster

60

?

6.6

/118/

48

/5/

58

/4/

3.5

/281/

A mythic depiction of a pagan sacrifice in prehistoric Sweden.

poster

?

10

/1/

During the 1960s, artist Eric Olson embarked on a series of works under the title Optochromi. The vast majority of these were plexiglass objects: most were sculptures although a few are formally closer to paintings. From a cinematic point of view one could describe the Optochromi sculptures as metaphysical colour animations frozen in time – so much so that modern composer Jan Wilhelm Morthenson made his film Interferences (1966), a tribute to 1920s abstraction à la Richter, with the use of Olson’s works. Gösta Werner did something similar five years earlier with Levande färg – only that he mainly circles the sculptures, and contemplates them more than he interacts with them. A respectfully curious distance is always kept.

poster

?

10

/1/

Portrait of director Mauritz Stiller, with scenes from some of his best known movies.

poster

?

10

/1/

Werner combines two extremely different theatres of flight and misery: the mountainscape near Oujda where refugees from the Algerian War cross the border to Morocco for safety and respite, and Hong Kong, which was dealing with hundreds and hundreds of thousands escaping the famine caused by Máo’s Great-Leap-Forward policy.

poster

?

5.6

/63/

50

/2/

Britt Malm gets hit by a car on a Stockholm street and is taken to hospital. She is badly injured and must undergo surgery. While the anesthetic takes effect she sees hallucinatory images. This turns into a flashback of what happened Britt before the accident.

poster

?

5.0

/6/

10

/1/

A flute playing. A couple enters a floor with large round spots of light, similar to the large round skylights available at Filmhuset in Stockholm, Sweden. She has a short golden dress. He has a long black cape. Both are wearing masks. More instruments make up the music and now a blazing flame dances instead and we see the woman's face, in extreme close-up. The man caressing her gently. A match burns and fades out. More close-ups of the young woman. Two matches meet and flares up. Later we see the man and the woman again, it is outdoors, the city's water. They look tired and bored, as if the low born during the dance now have relentlessly extinguished. Premiered as a short prelude to Ingmar Bergman's "Persona".

poster

?

6.7

/70/

10

/1/

52

/4/

Documentary of the Swedish actor/director Victor Sjöström and his work - from Terje Vigen (1917) to Smultronstället (1957) Director Ingmar Bergman is interviewed about his memories of and experiences of Sjöström.

?

Winemaking in Italy, Spain, France, Algeria.

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About modern Liberia and the iron ore prospecting on Mount Nimba.

poster

?

This film celebrates the 40th anniversary of King Gustaf V's entry and shows the king in both private and public.

poster

?

Loffe Fridh is out wandering the roads and takes life one day at the time.

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?

Images from the towns of Akersund, Lindesberg and Nora (all in Sweden) as they all celebrate 300 years in 1943.

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A boy's experiences on a foggy day at Öresund, the water between Sweden and Denmark.

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?

A morning in Klarahallen in Stockholm, a study of contrast.

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?

Images from a train ride through Sweden.

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?

The waitress Monica goes to Västerköping to find out who actually was her father. By aunt Margareta, she has been told that her mother, who died at birth, had four admirers.

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