mdblist.com logo The Best Eduardo Geada Directed Movies


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poster
74
14
7.4
/165/
77
/7/
72
/7/
3.6
/750/

The Guns and the People (1975)
Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.
poster
?
70
/1/

Mulheres de Barba Rija (1978)
N/A
poster
?
10
/1/
85
/3/

Pôr do Sol no Areeiro (1983)
N/A
poster
?
10
/1/

O Banqueiro Anarquista (1981)
Part of the medium-length films for TV Lisboa Sociedade Anónima, O Banqueiro Anarquista is a fine example of what a fabulous script (by Pessoa), exuberant set design, attentive camera work, and an actor (Santos Manuel) at his most daring and accomplished can achieve. The result is a cynically entertaining film, markedly representative of the First Republic, where for almost an hour the viewer is delighted (and unsettled, of course) by the fallacies of a script to which Santos Manuel gives the weight of a body and a voice, that is, he brings it to life. The Anarchist Banker is a brilliant satire on political discourse, of unfailing intelligence and ferocity.
poster
?
10
/1/

Impossível Evasão (1983)
N/A
poster
?
10
/1/

Ritual dos Pequenos Vampiros (1984)
The movie centers around the rape ritual of a minor by four young men, with the intention of freeing one of them of his past relationship with the girl.
poster
?
4.2
/13/

Mariana Alcoforado (1979)
An adaptation of the renowned Portuguese Letters, originally written in French and attributed to Soror Mariana Alcoforado. As letters may have been written by Soror, in the Convent of Nossa Senhora da Conceição in Beja, to her lover Noel Bouton, Count of Chamilly.
poster
?
5.4
/48/
35
/2/
38
/5/

Sofia and Sexual Education (1974)
After her mother's death, Sofia returns from a Swiss college to her family's luxurious villa, in Cascais. Through the relashionship between her father, Henrique, and his lover Laura, she will discover the complexity, egothistic, discrete and hypocrite way of life - from which there is no escape.
poster
?
5.2
/7/
10
/1/

The Holy Alliance (1980)
In 1974, not long after the death of Portuguese dictator Salazar, who had ruled Portugal from the early '30s to the late '60s, a group of disgruntled Army officers held a coup. They were even more disgruntled when they realized how the coup was being manipulated by leftist officers to instigate genuine elections and establish a constitution for the first time in Portuguese history. Though their intent was to form a radical socialist state, circumstances prevented this, and a genuine parliamentary democracy emerged. This film explores the circumstances of a right-wing businessman during those times. The man is an old-fashioned authoritarian, whose attentiveness to the needs of his mistress, wife and son is crude where it exists at all.
poster
?
5.9
/31/
43
/3/
35
/2/

Passagem por Lisboa (1994)
Lisbon, early 1940s. The neutral port town is an open door to freedom, for those who are escaping the Nazi occupied France and eastern European countries, and a war field for spies of every description. Lisbon became a cosmopolitan town, where the Duke of Windsor, Primo de Rivera, Pola Negri, Leslie Howard, Walter Schellenberg and Juan Garcia are often together in the luxury hotels and night-clubs. Espionage and crime go hand in hand, despite of, or encouraged by, the Portuguese secret police.
poster
?
2.0
/7/

Saudades Para Dona Genciana (1986)
Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.
poster
?

Lisboa, o Direito à Cidade (1975)
The way in which the structuring of capitalist urban space reflects the contradictions and conflicts of the classes in struggle, and the demarcation of a Marxist analysis of urban reality, which the few off-screen statements only serve to confirm. One of the characteristics of the city in which we live is its differentiated distribution and use: the various areas do not have similar forms of occupation, nor the same urban facilities, nor populations with identical social and economic characteristics.
poster
?

O Funeral do Patrão (1975)
Once the boss started deducting a third of the workers' wages on the pretext that it was necessary to purchase new machines in order to compete, a group of workers went on strike, occupied the company, but were expelled from their workplace by the police. Out on the street, the workers think about the best way to make their comrades and the general population aware of the seriousness of their situation. They then decide, by mutual agreement, following the humorous tradition of cegadas and popular theater, to improvise a satirical performance in which they denounce some typical examples of capitalist exploitation. From the bandstand, which serves as their rehearsal stage, to the final procession, which unexpectedly takes on a different tone, the workers learn and teach us how scathing and uncompromising criticism of capitalist institutions can be transformed into a celebration of struggle, joy, and unity.


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