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The Best Enrico Ghezzi Directed Movies

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poster

58

12

7.4

/45/

10

/2/

76

/12/

3.7

/490/

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

?

20

/1/

N/A

poster

?

10

/1/

N/A

?

10

/1/

Qui e là a giocare (1980) (Here and there to play) - one of the first "things" created by Ghezzi when he was working at the Rai headquarters in Genoa: a montage dedicated to gaming, from casinos to stadiums to Rai offices.

?

75

/1/

N/A

?

15

/2/

Experimental documentary shot by Enrico Ghezzi in 2000 about a trip he made by plane.

poster

?

10

/1/

100

/1/

Enrico Ghezzi cuts out porn magazines looking for a fake cataloging criteria, while Sergio Grmek Germani, off screen, reads and comments on a pornographic filmography edited by Marco Giusti (published by Italian magazine Filmcritica), correcting errors and underlining his insufficient pornophilia.

poster

?

7.9

/13/

10

/1/

Anthology of urban stories form seven Italian directors.

?

Footage of Mount Etna erupting, filmed continuously over the years by Rai cameraman Giovanni Tomarchio, superimposed on the original images by the Lumière brothers.

poster

?

"Cinema is the first moment in which the world sees itself then we know it is fake, which is a trick [...]. It is a small system, mechanical, banal, simple, corruptible, but it is sufficient to produce a review of the world, we are never interested in doing without living, without loving, we are never interested in making this film for other reasons »

?

Inspired by the "The wind of cinema" festival which every year deals with issues relating to the relationship between cinema and philosophy, it shows a conversation between the critic Enrico Ghezzi and some directors including Werner Herzog, Amos Gitai, and the philosopher Boris Groys. The theme addressed is the "Catastrophe".

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