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The Best Carole Contant Directed Movies

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60

/1/

A film edited in camera and shot for the project "une bobine" on April 28, 2005 - the expected date of our son's birth.

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80

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An echo of the ‘waltz’, a mysterious apparition, a nocturnal trace of a lover’s way around Parc Monceau, surrounded by buildings, where there is a rock without lips to kiss. A bid for freedom on the base of a languorous waltz mixed with the declaration of African independence. So, is Roc an echo of Su?

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60

/6/

Obvious, well before the 1914 war, freedom is in danger! Friends! From poetry what the devil! Come on music! This film followed the September 2002 criteria: a short film with a soundtrack and from February and April 2002: a short political film in two parts. Sound creation: April 2003 with Jean Cocteau’s voices to ‘The Great War.’

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60

/1/

Night-time, only moped, bicycle and car lights draw our silhouettes. Metabolic disruptions: we turn into cats and we think we are loving for the first and the last time (play on words in French: foi-faith/time). This film followed the August 2001 criteria: s short film bursting with sunshine.

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85

/1/

A collaborative film of the Pom Pom Pom party of October 25, 2004

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70

/1/

O, o fille de l'o (2003/2004 - super 8 shot and edited in color, 3’54) In the river of a work started around the letters of my first name C A R O L E, which flows to the ear like some of the clear natural elements, this film follows a Lettrist tributary. The images from this lake of words plunge from the R into the O, onto the L of a boat, Afloat. "O, c the water and the Bird, therefore O is the air, the R of nothing.“ This film followed the constraints of July / August 2003 with the image: a small film with the flow of water & sound creation of March 2003: a small film which plays with the words with the appearance of Éliane Raymond at the Geneva Science Fair.

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N/A

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and your duvet, how do you make your duvet? while trying to hang up the wagons of Le Beurre and La Vaisselle, my two previous quirks; or a totally inappropriate operation! This film followed the constraints September 2006, November 2006, January 2006: a small film in 3 stages

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A self-portrait turning around by foot after picking up fragments of myself from all around. Return home: accept that the only balance is movement. Contemplate serenity tourmented by this gay knowledge.

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Oh Didon Énée ! film letter number 2116, an answer to colas ricard letter number 916.

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In French the title is a play on words and sound. As the wet finger goes around the circumference of a stemmed glass, feet reflect in a windowpane and turn around a circle painted behind me. A musical duo which looks for the harmony of an oval in a rectangle. Saturn, it turns, satellite-urn and further play on words and sounds.

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Fruit market, shopkeeper's market? I walked in the streets of the Golden Drop, not chained which begins as the last potential painting of the triptych of toured-mounted dances Valse and Roc except that they also follow in the footsteps of Pierre Merejkowsky and Frédéric Lemaître until less than a minute of silence. This film followed the constraint of June 2005: a short film based on a text from the JIC (Journal Intime Collectif).

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A writing metaphor, playing with memory from the reading of "W or The childhood memory", Georges Perec book.

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In one day and night alone, a crowd of obstacles appears on a young tiger’s route, convinced that a plot is brewing. ‘Jungle Tale’: Young, dynamic manager caught in the trap of his Machiavellian everyday life, Shere Khan comes out of work and returns home. A considerable number of closed doors, narrow alleys slipping by in a cold light rise up against him. The statues also show in contrast, the emptiness of his hectic life. A man who is going to quickly lose himself. This film followed the criteria of November 2001: a short film with a striped synopsis.

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Muslim baptism ritual with ‘a little something’ of an American Catholic touch. In the heart of the sun, they dance in unison in a strange and worrying native circle. The infant only appears at nightfall. This film followed the August 2001 criteria: a short woman’s film.

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Burkina new year muslim ritual, otherwise known as the sheep fair. Ouagadougou, March 2nd 2001. This film followed the September 2001 criteria: the great feast of short films.

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End of the game. Whilst doing the washing-up, we talk about all and sundry. It is cleansing. This film followed the May 2000 criteria: ‘Do as you please in May’.

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Vampirical cry from the voice of the piano….or, when inspiration came in a dream. This film followed the criteria for April 2000 and June 2003: a short boys’ film and a mute film respectively.

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Dialect between derisory and necessity, vitamin A and bombs which rain down. Monochrome yellow cognitive (nazism’s jewish star, sunny light, fire, yellow disinfectant, where are your blues?) This film followed the May 2001 criteria: Do as you please in May.

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Small letter fallen from a tree, small letter going towards somewhere else, fades away, hides, refuses the end, looks for M the image and sign. Like Little Let’ (like the character Letty in ‘The Wind’) finishes a love affair, hidden, Letty is small letters hidden under a pile of autumn leaves. This film followed the November 2003 criteria: a little letter. (alphabetical or correspondence)

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A spool of black thread passes over a white parquet with the sound of a sewing machine. This film followed the constraint of October 2004: a small film without color but not in black and white.

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The secret is that there is no secret. A hymn to life scrambled by a dull and cold desire to reduce all cars to an omelette (angry with consumer society). This film followed the constraint of September 2004: a little secret film.

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met Laila at the art video festival in Casablanca in March 2000, it is the first time that I am friends with a woman who prays for Allah. Six months later she marries my brother Christophe.

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I was 25 years old August 16th 1999 in Connemara, South Ireland. Road movie whilst the clouds and the rest of time pass by. This film followed the December 2000 criteria: a passing through film.

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The car wash evokes in our active memories the wheels of artisan looms; the film was shot, developed, washed and dried using traditional methods. Because this film was made during the 2004 summer holidays, it became a little road movie.

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intrauterine cavalcade… and after? Dada on my dad, dada on my dodo and Laïla's ponytail getting involved! This film followed the constraint of November 2004: a small film in black and white but not without color

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Flowers blossoming in the Parisian metro, call to freedom which waltzes in a melancholic tango and searches for innocence in urban unconcern. This film followed the October 2000 criteria: short film without aim.

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Portrait of Blandine Beauvy (BB) reading black soap, a Francis Ponge book, and a Chomsky book.

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I was with Rose when I discovered this flowery underwear for 1€ at the Place Jean Jaurès market in Marseille. Roselyne Roche had begun to make films in Super 8 well before me. I dedicate this short film in pink, red, black and white to Rose. I made it for her with me, named it ‘A Rose’ for the circumstances. This film followed the December 2003 criteria: a short film for giving.

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A red hat in gestation, threads like ropes knitted by grandmother's bows. sound creation by Pierre-Olivier Boulant This film followed the constraint of June 2005: a little adulterated film.

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Christophe rolls, nicknamed cristobal, crycry, from now on cristobulle, has not succeeded in making a big bubble with his Malabar:’ cristobulle-malabule-malhabile…’This film followed the January 2004 criteria: a short film about nothing.

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