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The Best Pedro Neves Directed Movies

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poster

?

6.7

/9/

70

/1/

The road to Inhaminga, in Mozambique, is populated by ghosts that wander in the dark. The bullets fell silent almost half a century ago, but I can still hear their echo. I search for revolutions whose end I don’t know. All I find along the way are words that stand the test of time.

poster

?

7.0

/22/

One day almost everything turned into a pile of rubble and bush. There remained ghosts wandering through the fields, the ruins and the fog. Some of these ghosts are alive. They are those who stayed, those who came back, those who roam the difficult memories of the most cursed neighborhood of the city. Only that this Tarrafal, the name of the field of slow death of Salazar's dictatorship, is not in Cape Verde but in Portugal.

poster

?

70

/1/

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

poster

?

70

/1/

In The Beach, the elderly return to active life, leave the spaces of suffering and loneliness to which they have sadly been inhabiting in contemporary societies. They have fun, play, swim, run. They go back to being people like everyone else.

poster

?

7.7

/20/

80

/1/

A look at how the Troika's austerity programme for Portugal affected the lives of millions.

poster

?

6.6

/15/

Disillusionment helps the feet enter the cold water. It is like a whisper indifferent to the distorted music that echoes round the beach.

poster

?

Popcorn

68

/22/

The sound was deafening. The noise of the machines, the steps, the daily hustle of the more than a thousand workers, entering and leaving the shifts. There were 12-hour days, people without holidays, a stolen youth so that the cloth would continue to leave the factory. The revolution came and everything changed. Strikes, picket strikes, worker’s rights. Then the globalisation came. The factory went down to close. We went back to it, with the former workers, the old and the young. The machines continue to work in the empty spaces, the ghosts wander illuminated by traces of light until the walls begin to fall.

?

Feature film by Pedro Neves.

?

It's an ordinary day. Ships sail off, people stay ashore waiting. Something unexpected occurs. A ship collides with a small boat, which capsizes after being hit by a wave. There are cries, men stuck in the hold, fishermen are out in the cold days on end crammed in a dinghy. On shore, people are crying after having heard the news, they're preparing for mourning, and they are waiting for a ray of sunshine that could maybe bring live people. The dates won't be forgotten, and the scars stay in the body and mind of those who experienced it.

poster

?

The past is difficult. The are people who live in the present with the difficulties of day-to-day and do not know what to expect from a future, more and more dark, for those who already have difficulties. There is a house, food, work. Now the future is very uncertain. Because of the crisis, they say. And tell this to who lives in crisis since it he recalls.

poster

?

Almost 30% of the population of Porto lives in council districts. It is a special experience when districts become small towns with their own customs and traditions. However, they are also victims of stigmatization and bias. "Neighbourhoods" is a look at the reality of five council districts of Porto. From the eastern to the western parts of the city, we watch and listen to the inhabitants of those neighborhoods: Rainha D. Leonor, Cerco, Duque de Saldanha, S. João de Deus, Santa Luzia and Maceda.

poster

?

They are hidden cases behind barriers, windows and closed doors, rusted gates, walls that fall apart and ceilings that don´t exist. They are people that stumbled in the waste and the disillusionment, the deprivation, lost and aguish. They are people that were pushed from dreams to the ground. They are people who could be us.

poster

?

This is the incredible story of the only inhabitant of the Desert Island, in the Algarve. Fernando Alves, 66, the Hemingway mustache, is a fisherman, a cook, a communicator and an inventor. He has lived alone on the island since 1981. This is a documentary about life, loneliness and friendship, about an alternative way of living outside major urban centers, in harmony with nature and with oneself. It is a film about a lonely man, generous and full of sense of humour that makes us question our own lives and routines. They call him "The Fox of the Desert".

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