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The Best Ahn Seon-kyoung Directed Movies

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poster

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60

/2/

There are four people who want to become an actor. Their names are Hun, Eun, Jun, and Kyung. After watching the play [QUARTET]. They decide to participate in an acting workshop. They are trained by Mirae, the renowned actor of the [QUARTET]. Through the workshop sessions, Mirae is able to look into the inner lives of the four youths.

poster

59

?

8.2

/78/

40

/1/

57

/3/

Seong-chan, aka Lucas Fedora, rejects his girlfriend's proposal to get married and start a family of their own and leaves her to return to Korea and find his biological mother. He checks into a run down motel owned by two widows who have demons of their own. Seong-chan's dreams and his past intermingle with tragic results.

poster

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Actors and film students Geum-joo and Dong-geun descend on Muju, the hometown of their classmate Min-ju. Their task is to create the "first memory" of the person the play--the memory that has been kept in the character's mind for the longest time, the memory that has become the character's unconscious.

poster

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Siwon, a film director whose films have repeatedly failed over the past 10 years, is about to produce a mountaineering film. But the movie stopped again, and even his cat Luca passed away. In despair and pain, Siwon goes deep into the mountains to bury Luca. There, Siwon wants to run away and give up, but he encounters the painful seed of creativity inside him that he cannot shake off.

poster

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I am an actress who plays Martha, the main character of the play 'The Misunderstanding'. Even in my daily life, I constantly draw back Martha's lines and portray her. Following her feelings, I go to the sea that she craved and find a desert that resembles her. I feel her footsteps as I pass through the sea and the sun, the devastated desert and the burnt-out warehouse, where I meet her.

poster

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Is it acceptable for a forty-something woman to be in a relationship with 17-year-old boy? The idea of love between two people with such an age gap and the social exclusion that it can bring is the subject of Pascha. Gaeul is a 40-year-old screenwriter who lives with 17-year-old Joseph and their cats. The families of the two lovers cannot comprehend the relationship. Gaeul's family are especially baffled by every aspect of her life; raising a cat and living off of vegetables, let alone having a 17-year-old lover! Gaeul's family see her as the family's dirty little secret. More and more obstacles from society are placed between the lovers and their happy ever after; poverty, death, opposition against vegetarianism and the couple's pregnancy. Can a love like this survive no matter the odds in today's society?

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