mdblist.com logo The Best Dara Birnbaum Directed Movies


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Technology/Transformation: Wonder Woman (1978)
The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.
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10
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Local TV News Analysis (1980)
Local TV News Analysis is the document of a collaborative project of Graham and Birnbaum, in which they investigate local television news, both in form and content. Three simultaneous realities of the news are revealed within one composite frame: the receivership of the family at home; the inside control room of the broadcast studio; and the local news itself.
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Damnation of Faust Trilogy (1987)
1. Damnation of Faust: Evocation - Using "found" imagery shot in a SoHo playground, the first part of the Damnation of Faust trilogy explores the possible relations between childhood play and a woman looking on from outside. Without dialogue, the gestures of the characters become their primary mode of communication. Visual motifs of pillars and fans, achieved through video wipes, plunge the viewer into the image while building parallels of movement and feeling. 2. Damnation of Faust: Will-o'-the-Wisp (A Deceitful Goal) - The second part of the Faust project centers on the development of Marguerite, the female character in the Faust legend. 3. Evocation of Faust: Charming Landscape - The final work in the Damnation of Faust trilogy, ironically titled Charming Landscape, investigates the way in which the urban landscape is a place "where you lose your identity."
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10
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Fire! Hendrix
Commissioned by VideoGram International, Ltd., for a videodisc of music by Jimi Hendrix, Fire! uses the stylized visuals and pacing of a music video to critique the representational economies of sexuality and consumerism. Translating the psychedelic fervor of the Hendrix song into a contemporary visual vernacular, Birnbaum similarly recasts the lyrics' meaning. A young woman is the "protagonist" of a fragmented narrative in which Birnbaum re-frames images of American consumerism and commodities — fast food, cars, the exchange of money. Birnbaum calls attention to the woman's relation to the advertising image: she is consumed as she is consuming.
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Mirroring (1975)
“In this early performance-based work, Birnbaum investigates the notion of video as a mirror to create a psychological self-portrait. Devising a simple but ingenious formal exercise, she layers real and reflected images to articulate metaphorically the duality of internal and external selves.” –Lori Zippay, in “Dara Birnbaum: The Dark Matter of Media Light”, eds. Karen J.Kelly, Barbara Schröder, and Giel Vandecaveye
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Kiss the Girls: Make them Cry (1979)
Constructed of footage recorded from the television game show Hollywood Squares. The bulk of the piece is made up from recorded introductory gestures of female celebrities participating in Hollywood Squares, which are synced to then-contemporary Disco songs.
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Liberty: A Dozen or So Views (1976)
In an early work, video artist Dara Birnbaum records a cross section of fellow passengers aboard the Staten Island Ferry while en route to the Statue of Liberty. Asking subjects to use her video camera to capture their own views of the iconic monument, Birnbaum creates an homage to the immigrant experience.


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