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The Best Letícia Simões Directed Movies

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poster

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70

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poster

67

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7.2

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3.5

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The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

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7.1

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Documentary about the brazilian poetess Ana Cristina Cesar, icon of the Mimeógrafo Generation and "Poesia Marginal", books like A Teus Pés, her aspirations, her life e her creative proccess. Artists, friends and researches remembers the poetess.

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In a not-too-distant future, after centuries of uprisings that divided the old Brazil into new and idiosyncratic nations, a filmmaker travels through the northern and northeastern regions in search of answers for her (and our) historical moment. In this multifaceted and unconventional animated utopian documentary, the boundaries between memory and imagination, the past and the future, blur reality and fiction to question the very concept of a nation and its potential for reinvention.

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Three ghosts come together to answer a question: how did we get to the Brazil we are today? The three men summoned are: Fernando, a bohemian family man and collaborator of the military dictatorship; Arnaud, a teenager who got involved with a group of vigilantes; Sebastião, a black and gay photographer who lost the love of his life. The Secret Life of My Three Men is a historical drama that questions Brazil's identity in the face of its history and legacy of violence and, through poetry, creates the possibility of another reality.

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A presentation of the writer, musician and artist Rodrigo de Souza Leão. The film uses unreleased archive material, video clips with Rodrigo’s music and video art material based on the unpublished poems written by the author. At 23, Rodrigo was diagnosed with schizophrenia and created all of his work indoors. The film also features the participation of interviewees who actually met the artist, like the poet Leonardo Gandolfi, the writer Suzana Vargas and the artist Julia Debasse.

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After having shared a common experience in Cuba, twelve filmmakers say goodbye to return to their countries and make a pact: to make a collective film that answers the questions: what does it mean to plagiarize images and how to do it in the distance? The mechanism is unusual: a director makes a short and sends it to the next director, who in turn makes his own short for the purpose of plagiarizing the one he received. And so the chain of plagiarism continues until it reaches the last one. Each one interprets in their own way what it means to plagiarize the received film. The first link in the chain is James Benning, one of the world's most patient filmmakers. His extensive plans are replicated in the following fragments. Disobedience moves the exercise away from literality and an exploration of the texture of the images begins. In its repetitive mechanism, we can see that cinema is, in addition to record of reality, an art of images and sound. (Santiago González Cragnolino)

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