mdblist.com logo The Best Kidar Nath Sharma Directed Movies


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poster
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7.7
/96/
70
/1/

Neel Kamal (1947)
A military coup leads to two outcast princesses falling for the same rakish artist.
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6.6
/14/
10
/1/

Hamari Yaad Aayegi (1961)
The story follows the heartbreak an orphan girl Manorama causes Ashok, a young man newly relocated to a city, due to her love for money.
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49
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6.6
/132/
33
/3/
50
/7/

Jogan (1950)
An atheist falls in love with a married devout woman who has forsaken materialistic life.
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9.3
/12/

Gauri (1943)
Gauri is a 1943 Indian Bollywood film. It was the seventh highest grossing Indian film of 1943. Monica Desai, Prithviraj Kapoor and Raj Kapoor played the lead roles in the film. [Wikipedia]
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30
/2/

Chitralekha (1964)
Chitralekha is a 1964 historical-philosophical Hindi film, directed by Kidar Sharma, starring Ashok Kumar, Meena Kumari and Pradeep Kumar. It was based on 1934 Hindi novel by the same name by Bhagwati Charan Verma about Bijgupta serving under the Maurya Empire and the king Chandragupta Maurya (340 BCE – 298 BCE) and his love for courtesan Chitralekha. Set in the back drop of the middle age society. The portrayal of the three tools wisdom, knowledge and power become superfluous in the absence of strength of character.
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7.0
/26/
70
/3/
60
/1/

Rangeen Raaten (1956)
Rangeen Raaten is a 1956 Hindi film starring Shammi Kapoor, Mala Sinha and Geeta Bali in lead roles. The music was composed by Roshan.
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6.5
/52/
30
/2/

Bawre Nain (1950)
Chand lives in a small rural town in India. He is unable to pay the rent, and his landlord evicts him. He re-locates to another town and meets with a young woman named Tara. Both are attracted to each other. Chand is unable to secure employment in this town, and moves elsewhere. Tara waits for several months, but does not hear anything from him. So she decides to go and look for him, hoping to re-kindle her love. She is shocked and surprised to find him with an attractive woman named Rajni, who claims that Chand is her betrothed and both are to get married soon.
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6.5
/13/

Sohag Raat (1948)
On her deathbed Lajjo asks her stepson, Rajjo, to look after her son, Beli.
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Bedardi (1951)
A proud woman scorned by her lover vows to become an unforgiving force of vengeance, using society's own hypocrisy as her most heartless weapon.
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Armaan (1942)
Set in 1910, its modern hero, Kanwal (Motilal), invents a ray that records pain and pleasure photographically. His experiments render him blind. Country lass Meera (Shamim) tends to him and they fall in love. Later Meera meets a sage (Shah) who has an expensive magic potion that cures blindness. Unable to afford it, Meera kills the sage, grabs the medicine and goes to Kanwal’s house while all nature protests her actions. There the evil Diwan (Bhagwandas) and his accomplices steal the medicine, cure Kanwal and take the credit. Kanwal, who can now see but does not recognise Meera, accuses her of murder but eventually realises the truth.
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Chand Chakori (1946)
A street singer and a flute seller fall in love, only to be separated by jealousy and circumstance. Years later, a twist of fate reunites them, one famous and the other struggling, forcing them to overcome misunderstandings for a second chance at love.
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Good and Evil (1949)
A wealthy man forces his wife and their new-born daughter, Soshila, out of the house because he had hoped his wife would deliver a son. Years later, Soshila and her boyfriend, work for her father and attempt to win her father's affections.


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