mdblist.com logo The Best Jean-Marie Périer Directed Movies


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poster
?
4.6
/10/

Tumuc Humac (1971)
When Marc, with the help of a juvenile court judge, is old enough to leave thewelfare system, he leaves mainland France for French Guiana to try and find the only relative he knows, his grandfather, who was deported to the penal colony of this French overseas territory. During his odyssey, he meets Françoise, a young woman with whom he falls in love, and experiences many adventures.
poster
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8.0
/7/
10
/1/

Pourquoi t'as les cheveux blancs... (1973)
N/A
poster
?
10
/1/
60
/1/

Dutronc au Casino (1993)
Singer/songwriter Jacques Dutronc gained popularity in his native France with his provocative songs that matched the rebellious spirit of the '60s so well. Though he was absent from the musical scene for nearly a decade, pursuing a film career, he successfully returned to music in the early '80s and still remains one of the most popular performers in the French-speaking world. The "Dutronc au Casino" is an exquisite live performance of all his most appreciated songs.
poster
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5.2
/44/

Sale rêveur (1978)
A young man struggling with reality and dreams finds himself caught between his fantasies and the harshness of everyday life. As he drifts through surreal encounters and romantic aspirations, he must confront the limits of his imagination and the disappointments of the real world.
poster
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5.7
/62/
60
/1/

Antoine and Sebastian (1974)
Antoine has raised Sébastien, the son of a friend who was killed in a plane crash. Sébastien is doing his military service and Antoine would like him to marry Nathalie, the girl he grew up with. But Nathalie is in love with an American, and the day Sébastien has a leave, she leaves with her lover.
poster
48
?
6.4
/52/
15
/2/
65
/12/

Public Telephone (1980)
Téléphone is a great success story in French rock: 300,000 albums sold in 1979. The group was born on December 16, 1976, at a surprise concert at the American Center in Paris. Four instrumentalists, four self-taught, four musicians untroubled by the successive waves of fashions from across the Atlantic and the Channel: Jean-Louis Aubert, singer and songwriter; Louis Bertignac, guitarist; Richard Kolinka, drummer; Corinne Marienneau, bassist. From titles: “Métro c'est trop”, “La bombe humaine”, “Crache ton venin”... Portraits and interviews, trances and crowd-pleasers at the Palais des Sports and the Fete de l'Humanité, a look behind the scenes. Jean-Marie Périer, with seven cameras in hand, now captures the phenomenon in a feature-length film. Camera movements, editing on a giant triple screen and Dolby Stereo sound all serve to highlight the quartet's harmony and vitality.


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