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The Best Yves-Marie Mahé Directed Movies

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poster

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20

/1/

An abrasive abstract film accompanied by a scratching drone.

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20

/1/

If you think you have seen everything then you are even blinder than I believed.

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6.0

/8/

10

/2/

40

/1/

Short film.

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7.5

/16/

43

/3/

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

poster

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100

/1/

Sexual music like french towns.

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20

/1/

Variation on a fixed sequence of a corridor taken from Erick Rohmer’s Pauline à la Place. At the end of the corridor, there is a door that one can open or shot. This door and the action around it is the focus point to Rohmer’s film. In mine, the plot focus more specifically on the left door, the one we won’t see on screen.

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50

/1/

With this title, Philippe Clair summed up what a maze is: "Where did you enter? We didn't see you go out".

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50

/1/

After the juvenile fashion of "Air Guitar" (mimicking the gesture of a guitarist without having the instrument in hand), here comes "Air pool fuck". A man and a woman make love here... each in his own pool.

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20

/1/

The alarm rings. It’s time. What time ? Time to fuck! And if the woman is emacipating herself by sleeping with another woman it’s the moment for the husband to discover them together. From here the film is metric, which is to say that all the shots are constituted from 9 images or their multiples. The film is named ‘Hybrid’ because different shots from different films tell the same story, that of the man who fucks the woman who fucks the man. All in all of the man who fucks the man.

poster

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20

/1/

On Sunday October 16, 2011, between going to vote or making this film, I did not hesitate.

poster

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30

/1/

1 weak nazi + 1 sturdy non-nazi = 0 nazi.

poster

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50

/2/

Your fly is open.

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Portrait of pioneering LGBT filmmaker Lionel Soukaz, who passed away in February 2025. His work lies at the crossroads of several film traditions that rarely intersect: experimental, activist, pornographic, and diary film. Based on both public and private interviews with Lionel Soukaz.

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Experimental and anarchist young generation before May of 68'.

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What should we do with the former Nazis? Shoot them without further trial, hang them after trial, lock them up for life, release them after remission, and wait for them to return home before finally setting them on fire? And how should we behave with the new Nazis? Let them parade in the name of freedom of expression, counter-demonstrate, or openly mock them?

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Two opportunists empty the fridge. What is socially designated as obscene (pornography, for example) turns out to be a decoy; the real obscenity is elsewhere and much more worrying than a few exhibited sexes and concerns rather the forms of sexual normalization.

poster

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Return of the title in the form of a sentence as it could be found in the '70s and '80s. As for example: « The nurse does not have panties », « The cashier is a slut » or « I have a problem with France Gall »...

poster

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Éric Rohmer, a filmmaker of the “New Wave” (of violence).

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Truth doesn't wear panties.

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Gonna rob the imagebank.

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Human nature is such that parents love their children more than the other way around. This film explains why.

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Fragments of the international noise scene of the 90's. With Purr, Voodoo Muzak, Arbishop Kebab, Prohibition, Hint, Trottel, Prolapse, De Kift, U.S.Mapple, Melt Banana and Héliogabale.

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Basil and his gang have profited well. They deserve a good spanking.

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Arsehole voters.

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Tribute to Anicée Alvina.

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Between the hat and the chandelier : the hat-chandelier. That’s...that's the long and short of it!

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After turning off the TV, a man finds out that he is sharing the apartment with someone else. The latter is unhappy that the television is turned off. Two new characters appear in the room to decide between them and it's a mess...

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Work is the best police (Nietzsche).

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Amort is a 35mm trailer of an action film, spoiled by bleach and by digital process.

poster

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Variations around a photograph of Charlélie Couture and her musicians. Ruth's music that accompanies the film has nothing to do with it except that it is French and from the same period. It serves to underline the fact that the starting material is a fixed image which by the magic of cinema comes to life. If I dared, I will evoke Marguerite Duras through a quote from Laure Adler "This novel, these photos can be read like a photo novel".

poster

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"Friendship is the antechamber of love" André Gide.

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At the start of each new verse is added an overlay layer of the same offbeat images and sounds. It follows a result close to phasing, the technique developed by Steve Reich. Reich used tape recorders to repeat the same portion of sound with a time lag between the two parts, the classic cannon technique. In the canon, different voices interpret the same melodic line, but in a different way: this shift produces a superposition of melodies, that is to say, a counterpoint. Counterpoint is a discipline of musical writing whose object is the organized superposition of distinct melodic lines.

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Sexuality is not a serious subject of study, it is also an entertaining practice.

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Music avant-garde seen by french traditional cinema.

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Railroad variations around sequences extract from a movie by Carlos Saura.

poster

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Manipulation of a sequence shot of Juliet Berto's "Havre" to make a clip for Siouxsie and the Banshees.

poster

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Nothing to do with Jean-Pierre Melville.

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2 cars are seeking for each other, brushing against each other, slipping into each other.

poster

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Collage from 35 mm trailers.

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From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

poster

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A documentary on underground and experimental rock acts performing at Les Instants Chavirés, a music venue in Montreuil, France. Performers include Thierry Madiot, Peter Brötzmann + Han Bennink, The Ex + Tom Cora, Roof, Hint + Quentin Rollet, Kampec Dolores, Prolapse, King Biscuit, Zeni Geva, Melt Banana, Purr, Badgewearer, Heliogabale + Didier Petit, Keiji Haino, Oxbow, US Maple, New Bad Things, Tiger Lillies, Marc Ribot, KK Null, Api Uiz, Labradford, Godspeed You Black Emperor, De Kift, Sophie Agnel & Roro Perrot.

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