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The Best Gusztáv Hámos Directed Movies

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70

/2/

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

poster

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63

/3/

100

/1/

SUPERMAN is an early performance experimentation with video as mirror.

poster

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10

/1/

Hámos' fascination with the cultural mythology of the hero culminates in this witty, elaborately crafted drama, which was produced for European television. Hámos intercuts two parallel narratives to tell his story: a cartoonish, campy science fiction adventure, shot on video; and an elegant, cinematic political thriller, shot on film. Hámos blends the two genres into a tragicomic tale of the role of heroes, their immortality, and the catharsis of a heroic death. The science fiction melodrama features a comic book superhero, Hurry Cane, who saves the earth from the evil Emperor Argon; in the film noir, hired killers have a contract out on the hero Cane. Hámos' analysis of the myth of the hero is articulated in his collusion of the two stylized dramas and their contrasting representational modes..

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5.9

/98/

20

/1/

50

/4/

Despite its suggestive title, this multi-part Danish omnibus film is not a work of exploitation. Instead, it presents 20 different short films (back-to-back) on the general theme of Danish women, directed by filmmakers including Krzysztof Zanussi, Monika Treut, Gustav Hamos, David Blair, Vibeke Vogel, Dusan Makavejev, Morten Skallerud and Lars Norgaard. Some dramatic vignettes mix with other comedic ones, but all are offbeat and experimental. The picture includes one animated sequence (by Norgaard).

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In ROPE - A DEAD MAN’S DREAM there is an exploration of the history and development of the photographic media. The reconstruction of the short story An Occurrence at Owl Creek Bridge by Ambrose Bierce is the basis for the adaptation, supplemented with the research work on chronophotography by Étienne-Jules Marey. The principle of chronophotography, which permitted the recording of movement sequences in phase images and made processes visible that had remained hidden to the human eye up to then, was transferred to the digital image-in-image montage in the enacted photo work Rope.

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Rien ne va plus is a photofilm, a love story between the souls of two people who died at the same time: Igor, a refugee from Azerbaijan, and Kah, the murdered wife of a diplomat. A film about geographical, physical and spectral borders.

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Cities (Territories & Occupation) thematize "the city" divided into districts, neighborhoods, zones and domains, marked by inner-city borderlines. The film investigates how cities emerge and change through migration, decay, destruction, demolition, relocation, displacement.

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