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The Best Eve Lamont Directed Movies

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poster

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60

/1/

Filmed over two years, La coop de ma mère introduces us to a place where 42 individuals and families successfully resist the lure of individualism, despite the challenges of collective management. This cross-cultural, cross-generational mix forms the new face of a cooperative movement where everyone, whatever their difficulties, can find peace, security and, above all, a home.

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10

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poster

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70

/1/

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

poster

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6.2

/10/

For two months during the summer 2001 mayoral campaign, a group of protesters occupy an abandoned building in order to draw attention to the housing crisis in Montréal.

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70

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Over the past thirty years and with the rise of the Internet, the sex trade has grown globally until it has become a real industry today. Luxury or street prostitution, escort agencies, massage parlors, dance bars, the pornography industry or sex tourism ... But who really benefits from this trade which turns women's bodies into a merchandise that can be exploited at mercy? The sex trade offers a foray into a brutal world where the main actors trivialize the scope of their actions, reducing sexual exploitation to the level of a simple transaction.

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5.0

/7/

The story of a small working-class neighborhood that stands up against the real estate giants.

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Farmer and director Ève Lamont talks to farmers about their solutions to challenge the hegemony of factory farms in the global food system.

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