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The Best Jack Cocker Directed Movies

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poster

75

41

7.3

/623/

74

/38/

80

/9/

3.4

/1187/

82

/61/

77

/2086/

Friends, family and co-stars take part in this revealing and entertaining look at British icon Roger Moore and his rise to global fame. With rare home-movie footage.

poster

?

8.8

/28/

80

/1/

90

/1/

Inspired by the language and history of the Western Isles, Runrig took Gaelic culture from the dance halls of the Highlands to massive arenas throughout Europe and beyond. They provided the soundtrack to an era when Scotland rediscovered its roots and its confidence. There Must Be A Place is a tale of ups and downs, twists and turns, tears of joy and heartbreak. Packed with never-before-seen footage and photographs from the band’s private archives, it charts the unlikely rise of a ragtag band of friends who would go on to become Scotland’s House Band: Runrig.

poster

?

70

/1/

Life was an iconic weekly magazine that specialised in extraordinarily vivid photojournalism. In the 40s, 50s and 60s it caught the spirit of America as it blossomed into a world superpower and its influence on American people was unparalleled. Fashion photographer Rankin celebrates the work of Life's legendary photographers including Alfred Eisenstaedt and Margaret Bourke-White, who went to outrageous lengths to get the best picture. He travels across the USA to meet Bill Eppridge, John Shearer, John Loengard, Burk Uzzle and Harry Benson, who have shot the big moments in American history - from the assassination of Robert F Kennedy to the Civil Rights struggle and the Vietnam War. These photographers pioneered new forms of photojournalism, living with and photographing their subjects for weeks, enabling them to capture compelling yet ordinary aspects of American life too. Rankin discovers that Life told the story of America in photographs, and also taught America how to be American.

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After 20 years, millionaire landowner Mike Buchanan is confirmed as the rightful Highland Chief. The Buchanans live in a magnificent house and estate on the edge of the Trossachs. His ambitious wife Paula is planning the inaugural three-day bonanza of tartan, and ceremonial regalia on the estate. She was the driving force behind Mike’s claim and is now the chief architect of his ‘coronation’ (well, much of it, when an ancient source can’t be found). Ceremony and ritual are unashamedly being invented. This is the story of how history is made... or in this case, how history is made up. As the family adopts increasingly bizarre and ancient entitlements, the inner workings of the British elite is revealed; raising important questions around class, national identity, history values and traditions, and the place of ‘Clans’ in the modern world.

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There is no-one quite like Anselm Kiefer. Having achieved fame and notoriety in equal measure in the 1980s, he has become one of the world's most singular and successful artists. Working with themes of history, memory and mythology, Kiefer produces work that is consistently controversial, and monumental in its scale and ambition. In this imagine... Alan Yentob joins the artist at his studios in France and Germany as he prepares for a retrospective at the Royal Academy. In a series of frank interviews set against the backdrop of his awe-inspiring studios, Kiefer discusses the impact of his most significant pieces, installs a selection of new work, and explains why he is as excited and driven by his practice now, at the age of 69, as he was when he began.

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Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

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