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The Best Los Ingrávidos Directed Movies

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poster

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50

/1/

The art of political propaganda. Part of Agitprop series.

poster

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70

/1/

Short glitch video from Los ingrávidos.

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50

/1/

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

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40

/1/

Pandora is one who communicates to the human world the powers of the night. These are glimpses of her visions.

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10

/2/

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

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72

/2/

Part of paraconsistent sequence series. “A paraconsistent logic allows inconsistency without absurdity.” The works in this subcollection contain contradictions of time and place, reorganizations of past, present and future.

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70

/1/

An aesthetic order in racial terms.

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70

/1/

35

/1/

A short glitch video.

poster

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60

/1/

In the nest of the sun, Xolotl, Huitzilin and Xochitl meet to recover the dance of radiation, whose colorful heat stirs the new fire of their cosmic dance. Part of the Film Tonalli.

poster

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60

/1/

This is a fragment of the sacred lizard in desecrated times, an intermittent tour of the flashing body of the Cipactli lizard. Part of the Cipactli series.

poster

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60

/1/

Radical in both form and subject, this is a visually striking and impassioned testament to victims of crime and political corruption in contemporary Mexico.

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60

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70

Tonalli is an abstract shamanic composition in three parts. The opening one, dealing with the preparation for a Flower war (Xochiyáoyotl), is followed by images of a ceremonial brazier (Tlecaxitl), where Xolotl, the god of heavenly fire and protector of the sun, emerges in his turbulent opacity. Finally, Tonalli itself opens up to the eye—a solar irradiation that manifests in the world as the flowing cosmic blood in which all beings are immersed. A Mesoamerican spell in action.

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60

/1/

Make the rich pay for COVID-19

poster

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40

/1/

On October 2, 1968, the people of Mexico staged a massive protest against the country’s bid to host the Olympic Games. The Mexican army responded by killing hundreds of students in the streets. Employing disruptive montage, Parallax combines images from this original protest in 1968 and those filmed on the 50th anniversary of the student massacre, held October 2, 2018. The film offers a critique of the cyclical nature of political tyranny, while attempting to develop a new audiovisual language that drifts between the political and the poetic.

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50

/1/

The pyramid used to be a mountain

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50

/1/

A brief glimpse of the cycles of Coyolxauhqui, the moon goddess. Her cycles used to be a dance.

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20

/1/

Short video from Los ingrávidos.

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50

/1/

Short glitch video from Los ingrávidos.

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30

/1/

The politics of breathing.

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80

/3/

Short glitch video from Los ingrávidos.

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Ghostly and abstracted representations of political and physical landscapes. Part of Hauntology Film Archives.

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Film by Los Ingravidos

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Part of the Hauntology Film Archives series.

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"All I wish is to lie down in the field and look at the sky beyond the grass stalks. And then die... I had no where to go."

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Mexican Erotica is a collective reappropriation film that explores sex and eroticism from various artistic and aesthetic points of view. A journey of textures, sensations and unmissable pleasures.

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Par of the Shamanic Materialism & Aesthetic Of Trance. Works that explore Mesoamerican rituals and beliefs in relationship to the natural world.

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Part of the Hauntology Film Archives series.

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In the center of the rising Temple, the history, myth, ancestral and infrareal combine their rhythms into the cycle life of ritual cinema. Trance and shamanic visions arise into the ancient Teocalli.

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In the typical handwriting of the Los Ingrávidos collective and through the accumulation of visually expressive elements – in this case the pupils of people’s and animals’ eyes captured on film material – a ritual artefact is created through the combination with a hypnotic drum accompaniment, leading to dance and trance. An initiatory composition referring to forms of consciousness and ancestral vision becomes a fluid liturgy.

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In the stark black-and-white images and clamour of the bells, an ecstatic reverie emerges. The simplicity of the premise is deceptive – fanged teeth, in stark and reversed composition – it's in the rhythm of the edit that a new language pulsates. The spirits of these beasts live through their enduring dentata, here resurrected.

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This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.

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This is the vision from the “chinampas", the hectic life in the floating gardens, an ancestral system of audiovisual planting.

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Through the floating garden, into the mountain of signs and chants, arises the path of the winged stone. A stone that used to be a fossil.

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As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraven. They walk unseen. They Live.

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As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraven. They walk unseen. They Live.

?

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. The ice desert of the South and the sunken isles of Ocean hold stones whereon Their seal is engraven. They walk unseen. They Live.

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We came into the world under the sign of Saturn, the star of the slowest revolution, the planet of detours and delays. Saturn pulls the word down into its vortex and turns the flow of events into rings, lines and particles. There we are all invisible. There we have no face. There we have no name. There our present seems suspended. There we are all limbo.

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A lighting psalmody by the current Mexican conflagration. Light through the veins.

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Coral is part of the harmonic and hyperkinetic colors film series. In this part the transcendental experience of his harmony leads us to an aesthetical suspension of content. Part of the Harmonic and Hyperkinetic Color Film Series.

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It is a tribute of hyperkinetic colors to the Chilean poet Vicente Huidobro in times of pandemic vortex and post-Cubist quarantine. This is Altazor's color drop. Part of the Harmonic and Hyperkinetic Color Film Series.

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This is the disappearance of the voice and the sound persistence of a flatline. A brief elegy for those who remained static and without assistance through the looking glass. This film is part of Hauntology series.

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This is our contemporary Mesoamerican temple, restored from an asymmetrical and intermittent grammarchy in motion.

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This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

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This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

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These are icebergs in the night, spilling and melting their dense materiality over the frame of Western rationality. A hyperkinetic reminiscence of the last night of the Titanic.

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A rhythmic constellation of a proletarian figure.

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This is the state of bodies, this is the intermittence of bodies, this is the fragile reminiscence of bodies. The flashing fragility of images. The intermittent projection of the nuclear catastrophe to come. This is something on the way.

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Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history": postmodernism; the emergence of internet; the commercialization of gangsta rap, and independent film; AIDS activist; digital cinema; the Gulf War; rave and riot grrrl cultures; reality television; MTV. A new diagrammatic system.

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