mdblist.com logo The Best Dharmasiri Bandaranayake Directed Movies


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poster
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7.9
/21/

Bawa Karma - The Sorrow of Existence - Part II (1997)
A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.
poster
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10
/1/

Thunveni Yamaya (1983)
Thunveni Yamaya (Third part of the night) is an attempt to delve deep into, and cinematically depict a series of terrifying and tormenting experiences of a young man (Percy), during a nightmare honeymoon. These experiences appear to be a catharsis of traumatic experiences of a bewildered childhood. And in their eructation they engulf all around them, his wife (Princy), his mother, his servant, and all who come in contact with him, the most cruelly persecuted being the image of his own innocent childhood.
poster
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7.1
/10/
10
/1/

A Woman in a Whirlpool (1985)
Set in the dry zone of Sri Lanka, Suddi is married to a notorious criminal in the village, Romiel. Convicted for a murder Romiel is jailed. Miserable Suddhi has to depend on Sirimewan Mudalalie, a shrewd businessman from town.
poster
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8.0
/29/
20
/1/

Bawa Duka - The Sorrow of Existence - Part I (1997)
Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.
poster
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8.0
/90/
66
/6/
70
/3/

HansaVilak (1980)
A married man (Nissanka) and woman (Miranda) find their lives disrupted after their affair is exposed by the police. Leaving their respective families, the two decide to live together. Shortly afterwards, Miranda secretly goes back to see her former husband. As paranoia mounts, Nissanka disintegrates psychologically to point where reality and fantasy are blurred.


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