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The Best André S. Labarthe Directed Movies

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poster

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10

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This film portrays Robert Rauschenberg, an artist mixing pop art and abstract expressionism, who tells his story in front of André Labarthe's camera.

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10

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N/A

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10

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Catherine Deneuve comments on passages from "L'Ève future" by Villiers de l'Isle-Adam. Episode of the TV program "Cinéma, cinémas".

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80

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N/A

poster

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10

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Colour, form, area - this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Uber das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky's Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. "A picture has to resound and must be bathed in an inner glow." Kandinsky

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10

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The campaign of the parliamentary elections of June 1968 in Asnieres with the three main candidates: Albin Chalandon ( UDR ), Claude Denis ( PCF ) and Roger Hanin ( FGDS ).

poster

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85

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60

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Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.

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André S. Labarthe invites Jerzy Skolimowski to the editing table, to analyze his film Walkower shot by shot. Episode of the TV program "Cinéma, cinémas".

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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, never aired.

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Some thoughts and a hypothesis about the invention of the Close-up.

poster

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The camera scans the typography of a book while the voice launches into a first attempt at reading: "Chapter one... The Passage..."; The camera freezes on the word Polynesia. In an abandoned waiting room, an ageless man keeps coughing. He is waiting. The voice resumes its attempt to read, but is interrupted by that of the witness (the writer Charles Juliet), who recounts his meetings with Jean Reverzy. The coughing man ventures into the apartment; Polynesia emerges from a television. At the origin of this series of essays, there is the desire to invite European writers of the 20th century to be read today. What they have in common is having lived and written in a Europe shaken by crises, wars and revolutions. Their works and their lives bear witness to this. Each film has the character of a very personal preface and expresses the pleasure of discovering a work.

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The space of the museum as the visitor travels through it is a long sentence of sleep. But if suddenly this sleep is interrupted, if this space is torn apart, if the hydrometric devices go haywire, then like a sleepwalker who is awakened at the edge of a roof, the object decomposes as everything has decomposed before it. which allowed it to exist. When tuberoses decompose, Zola notes, they smell human.

poster

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Colour, form, area – this is the formula of the greatest pioneer of abstract painting. Kandinsky came to art late in life, but his impact through Der Blaue Reiter (The Blue Rider) and Bauhaus paved the way for modern art. In 1913, he created one of the first abstract pictures, the theoretical basis of which was inspired by his essay Über das Geistige in der Kunst (On the Spiritual in Art). Accompanied by Mussorgsky’s Pictures From An Exhibition Labarthe goes on a sensual journey which makes the soul resound with colours and forms. "A picture has to resound and must be bathed in an inner glow." Kandinsky

poster

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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, shown 12 October 2012.

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At the editing table, Georges Franju comments on two sequences from his film, Les Yeux sans visage. Episode of the TV program "Cinéma, cinémas".

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1965. We ring the doorbell of the Beverley Hills house where a forgotten filmmaker seems to spend his time reminiscing. His name is Rouben Mamoulian. He hasn't been shooting for 5 years, but cinema has not ceased to inhabit him. Episode of the documentary TV series "Cinéastes de notre temps"

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An acerbic criticism of the media coverage of the Cannes Film Festival and of cinema, at the time of the death of the actress Rita Hayworth. Episode of the TV program "Cinéma, cinémas".

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A tribute to Orson Welles. When Kovacs meets Agi, he does not know what awaits him: cinema, alcohol and love do not mix well when you are a Hungarian director parachuted into Hollywood...

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A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2011.

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"What is a location search ? Maybe that's it : hanging in a pub... let their thoughts flow freely." (André S. Labarthe) The camera reinvests the places that Van Gogh covered in Montmartre, but also among other things the Van Gogh Museum in Amsterdam. In this place which "looks like an airport" Labarthe imagine an incredible meeting between Vincent Van Gogh and Antonin Artaud. The Artaud's texts are read by Alain Cluny

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