mdblist.com logo The Best Piotr Szpakowicz Directed Movies


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poster
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10
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60
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Baśnie i Waśnie (1964)
N/A
poster
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10
/1/

Chciwy Achmed (1962)
Ahmed trades in shoes, but he doesn't sell them cheaply. He is willing to chase after a single gold coin. In his pursuit of money, he loses everything he had, including his shoes. Greed does not pay.
poster
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10
/1/

Z paletą w puszczy (1964)
A film about a painter working outdoors.
poster
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10
/1/

Postrzyżyny (1973)
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poster
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10
/1/

Rose (1973)
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7.1
/15/
35
/2/

Atlantyda (1972)
The world is plagued by natural disasters, but here comes a couple in love who boldly enter a different game. Their love cannot be thwarted by natural disasters.
poster
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10
/1/
60
/1/

Mistletoe (1973)
A pair of courtiers, a woman and a man, enjoy each other's company. Both of them become victims of armed conflict. Disconnected, they seek each other among the survivors. The man finds his beloved woman.
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The Colours of Life (1974)
The face of a girl emerges from a sepia composition. The face changes into the face of a woman and an old lady. Love fills the picture with colours, war shadows it. As a result of these experiences and the passing life, the character takes the shape of a living corpse.
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A Punch (1978)
A lonely lumberjack tries to cut down an old tree in the forest. He hits it for the first time using his axe. He doesn’t carry on because the tree resembles a living creature. The seasons pass. A natural disaster strikes, people and animals die because of that. The crown of the old tree becomes a shelter for a woman.
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Lokator z papugą (1975)
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Bocianie gniazdo (1977)
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Kupala night (1974)
During Kupala Night, two angels intervene in the rituals of the town's inhabitants. They take care of a virgin wearing a wreath in order to spoil the devil’s plan. During the night, the devil runs a registry of sinners. However, divine providence has different plans for her. An animated Midsummer fairytale directed by Piotr Szpakowicz, a creator of films for children and adults, specializing in animation and often focuses on the theme of people and nature. The film was realized in a combined technique. Flat figures made of plasticine were put on background boards, in the style of oil painting. Some of the figures were covered with crepe paper, maintaining the depth of the shots.
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Mimosa (1973)
The bodies of the lovers become one in the bosom of nature, near their country cottage. The moment is interrupted by the man and his thoughts – he has to go in order to earn money. They spend autumn and winter separately - she yearns alone, he works hard in a mine and a forge. In spring, when the woman runs towards the man in order to welcome him, she sees a dead man walking. She manages to recognize him only by the pendant that she gave him. In her embrace, the man regains his strength. Gold coins fall to the ground and merge with golden rod, the Polish mimosa. Stylistic paintings refer to oil painting and hold the subsequent phases of the figure's movement, which gives the impression of plane movement.
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Duo (1975)
N/A


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