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The Best Emma Calder Directed Movies

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10

/1/

A film commissioned and conceived by the artist Eduardo Paolozzi using drawings and photocopies provided by him. A non-narrative film focusing on Paolozzi's themes about modern man.

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10

/1/

Animated paper cut-outs. An amusing interpretation of the traditional Yorkshire circular song. A man goes courting on Ilkla Moor without his hat, catches his death of cold, dies, is buried, gets eaten by worms, the worms are eaten by ducks, and the ducks are, finally, eaten by the man's friends.

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30

/1/

Using powerful imagery, black humour, and a liberal helping of appalling bad taste, the directors set out to draw people's attention to the state of British beaches.

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6.4

/12/

70

/1/

An animated theatre of dismembered people, beasts and ghosts, dance, tumble, make love and tear themselves apart, a nightmarish subconscious world, in black and white.

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10

/1/

A film about the pressure which society puts upon people to project different images, particularly the image of success. Through the medium of potato printing the film shows how Madame Potatoe struggles to cope within the world in which she is placed. She retreats into the earth leaving her image to continue along its own increasingly exploitative path. Madame Potatoe was first shown as part of Emma Calder's MA show at the RCA, which comprised a life-sized, motorised Madame Potatoe eating crisps and watching the film on telly. She was sat in a room papered with Madame Potatoe print wall paper. Shown at the Tate Gallery, animation festivals, CH4 TV and world wide TV. Madame Potatoe print bought by the V&A for the prints and drawings collection. Many press clippings and associated articles are available.

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20

/3/

A woman with extreme anxiety is devoured by four major preoccupations - the man she met by chance on a train, her dying father, her daughter's safety, and the murder she dreams she has committed.

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6.2

/6/

10

/1/

A range of drawing techniques are used to explore themes of domestic alienation and romantic fantasy about housewives, hoovering, bingo halls and a cat. The film's idiosyncratic humour increases the impact of a film 'ultimately... about coming to terms with obsession, desperation and personal fear'.

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An itinerant drummer boy is visited in his sleep by a beautiful princess. She requests his help in escaping from an evil witch who has entrapped her on the glass mountain. He sets out to find the mountain and is helped on his way by a rather pathetic old giant and a magic butterfly who lends him a pair of wings. Finally, he arrives at his destination and the witch sets him to work on three impossible tasks... The Drummer was one of the winning entries in 'The Magic Mirror' competition to find new animators for children's stories. The main condition was that the stories had to be adapted from existing fairy or folk tales. The series was sponsored by Kelloggs and the series producer was Anne Wood of Ragdoll Productions. Shown on ITV, world wide TV, video and at international animation festivals.

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Despite a gap of nearly two thousand years, Boudica remains at the forefront of the public imagination. Her story has been passed down the generations from the original writings of the Romans and she has been continually reinvented to serve as a woman of our age. Set against beautiful watercolours of Norfolk, Emma Calder's film looks at Boudica the woman, what motivated her to keep her freedom and what her story means to us now, that we know so much more about her and her people from recent archaeology. The film shows Boudica and the Iceni tribe and their rebellion against the Romans in first century Britain. The film contrasts the worlds of the indigenous people and their Roman Invaders. In Boudica A Norfolk Story, The film contains all the key ideas about this very interesting period in British history whilst being attractive, playful and engaging for all ages.

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