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poster

71

70

7.4

/13788/

68

/369/

70

/509/

3.7

/34383/

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

poster

68

60

7.1

/6304/

64

/175/

68

/263/

3.5

/12386/

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

poster

66

59

6.8

/8158/

63

/202/

66

/352/

3.5

/17971/

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

poster

64

48

6.4

/2946/

63

/69/

62

/125/

3.4

/5338/

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

poster

67

47

6.7

/2162/

64

/48/

65

/77/

3.6

/5023/

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

poster

57

46

5.9

/3739/

54

/91/

55

/163/

3.1

/6204/

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

poster

68

42

6.8

/1084/

68

/51/

65

/73/

3.7

/6299/

Angelic and demonic serpentine dance from dawn of cinema. Hand-colored frame by frame. Lumière no. 765 or 765.1 (colorized, different dancer?).

poster

58

39

5.9

/1694/

55

/46/

54

/85/

3.3

/4502/

In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.

poster

63

39

6.4

/1249/

62

/35/

62

/61/

3.4

/3782/

A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.

poster

54

38

5.7

/2109/

51

/51/

53

/95/

2.9

/2726/

Down the gangway, photographers leave the deck of a riverboat in large numbers.

poster

55

37

5.7

/1625/

50

/42/

54

/88/

3.1

/2640/

Several little boys run along a pier, then jump into the ocean.

poster

56

37

5.6

/1717/

52

/34/

56

/64/

3.0

/2272/

Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.

poster

59

34

6.1

/1320/

59

/22/

57

/43/

3.1

/1708/

Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

poster

61

34

6.1

/794/

58

/24/

57

/44/

3.4

/1843/

A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.

poster

56

33

5.8

/1091/

53

/26/

57

/47/

2.9

/1807/

A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.

poster

55

33

5.6

/1299/

51

/33/

54

/70/

3.0

/1664/

Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.

poster

59

32

5.8

/635/

57

/21/

53

/35/

3.6

/1945/

Women wash clothes in a washhouse on the edge of a river.

poster

56

30

5.3

/303/

45

/5/

46

/19/

3.1

/547/

41

/265/

89

/2710/

A quarrel between two women that a man attempts to separate.

poster

50

30

5.1

/1236/

47

/37/

48

/69/

2.7

/1911/

A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with her bare hands.

poster

54

30

5.5

/1159/

56

/36/

52

/65/

2.8

/1386/

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

poster

54

30

5.5

/1115/

51

/28/

55

/63/

2.9

/1357/

Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.

poster

56

29

5.7

/722/

48

/20/

60

/47/

3.1

/1282/

A trains arrives at Perrache station and people disembark.

poster

49

29

5.1

/1235/

44

/42/

50

/74/

2.7

/1502/

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

poster

57

29

5.9

/1017/

53

/17/

60

/33/

3.0

/1452/

Two babies are shown seated next to each other, in high chairs, apparently enjoying themselves. Suddenly one snatches a toy from the other and they indulge in hair-pulling.

poster

57

29

5.7

/547/

55

/15/

55

/36/

3.2

/1712/

A small boy brings a plate of milk to a big cat, grooming itself.

poster

58

23

5.9

/532/

54

/17/

58

/32/

3.2

/887/

A train arrives at Perrache station. We see the view from aboard the train.

poster

55

23

5.8

/581/

49

/11/

55

/29/

3.1

/1081/

A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.

poster

55

23

5.5

/515/

55

/21/

52

/37/

3.1

/906/

Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.

poster

56

22

5.6

/615/

53

/16/

56

/34/

3.0

/762/

Friends and relatives playing a game of boules, arguing about who's team is winning.

poster

60

22

5.8

/584/

62

/15/

58

/35/

3.2

/660/

Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.

poster

54

22

5.7

/524/

46

/11/

50

/34/

3.2

/892/

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

poster

57

21

5.7

/514/

52

/14/

56

/32/

3.2

/741/

A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and calls her name, to demonstrate that her baby can walk.

poster

55

21

5.5

/603/

53

/17/

54

/31/

3.1

/760/

N/A

poster

51

20

5.4

/856/

44

/11/

50

/23/

3.0

/879/

Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track.

poster

59

19

5.9

/417/

58

/6/

60

/20/

3.2

/849/

Francis Doublier does bicycle tricks in the street.

poster

56

19

5.6

/455/

49

/14/

56

/30/

3.1

/610/

A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses.

poster

58

19

5.7

/445/

56

/19/

58

/30/

3.1

/491/

A maid is out walking with her young charge when a soldier takes the boy's place.

poster

50

18

5.1

/441/

48

/15/

48

/33/

2.8

/745/

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe.

poster

54

17

5.3

/477/

53

/14/

51

/31/

3.1

/506/

Short of the Tuileries.

poster

55

17

5.3

/412/

58

/13/

53

/28/

3.0

/589/

Documentary of Paris.

poster

53

17

5.2

/530/

49

/17/

52

/26/

3.0

/566/

Men working at the shipyards of La Ciotat.

poster

56

17

5.6

/478/

51

/12/

54

/24/

3.2

/595/

The floods of the Saône river during the first week of November, 1896.

poster

57

17

5.5

/384/

57

/17/

54

/28/

3.1

/457/

Three young women dance in Drury Lane, London.

poster

57

16

5.9

/412/

52

/16/

56

/21/

3.3

/596/

Panorama during the ascent of the Eiffel Tower.

poster

54

16

5.1

/400/

52

/14/

53

/28/

3.0

/464/

Swimmers jump into the water from the docks, as a small boat passes by.

poster

50

16

5.0

/384/

48

/9/

48

/26/

2.9

/679/

A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught red-handed, which results in him closing the game board.

poster

53

16

5.2

/370/

45

/14/

51

/27/

3.1

/485/

No Overview

poster

59

16

5.7

/402/

63

/12/

60

/25/

3.1

/401/

Félicien Trewey, performing his spinning plates routine.

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