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The Best Maddi Barber Directed Movies

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poster

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70

/1/

In an attempt to reclaim pasture for their cattle, the inhabitants of an ecovillage in Navarre decide to cut down a pine grove planted as part of a state-funded reforesting initiative. In this fierce and sensory work, the filmmakers capture an adversarial process which uses deforestation techniques to transform a territory.

poster

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100

/1/

Follows the trail of taxidermic pieces collected by The Manchester Museum during the nineteenth and twentieth centuries.

poster

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6.9

/15/

58

/3/

On the slopes of the Navarrese Pyrenees, the construction of the Itoiz dam in the 1990s flooded seven villages and three nature reserves. A strip of bare land, 592 metres above sea level, today marks a dividing line within the landscape of the valley. Below that level, the water; above it, life goes on.

poster

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5.5

/16/

Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.

poster

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6.6

/7/

45

/2/

Entrails, a flock of sheep, one spring. The cooing of doves and songs hummed. Some vultures, bones, flowers and many hands. Hands which feed, milk, stroke, shear, film; hands that kill. Hands which inhabit the doubts and contradictions about using other species.

poster

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The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.

poster

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Pictures of a passing sunset. A book about frogs in one's hands. The face of a woman, reading. From the poem «Esta es la mano que cuida» («This is the hand that nurses») by veterinarian and writer María Sánchez, this film is built as a dyptich on the learning processes of our relationship with other species.

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In the aftermath of the death of the filmmaker Chantal Akerman on October 5th, 2015 ten directors remember, rethink and reoccupy in their own way the imagination of the Belgian director. A small collective tribute from Barcelona and Iruña, made with love.

poster

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Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.

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