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The Best Ruy Guerra Directed Movies

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poster

76

41

7.6

/867/

73

/21/

75

/29/

4.0

/4807/

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

poster

73

28

7.0

/625/

65

/9/

61

/24/

3.5

/1211/

100

/12/

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

poster

67

15

6.6

/734/

62

/8/

58

/17/

3.3

/342/

83

/7/

While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.

poster

62

11

6.7

/436/

60

/12/

65

/8/

3.6

/703/

Popcorn

50

/1/

In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

poster

?

70

/1/

Third part of Ruy Guerra's trilogy initiated in "Os Fuzis" (1964) and "A Queda" (1978).

poster

?

6.7

/83/

10

/1/

40

/2/

Orestes, a rich factory owner, falls for the beautiful Fulvia. They communicate using pigeons, to avoid being discovered by her husband.

?

7.0

/9/

10

/1/

The interaction between a group of German soldiers and a group of prisoners. Based on a romance by Elio Vittorini.

poster

?

10

/1/

The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.

poster

50

?

5.5

/146/

50

/5/

43

/10/

This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.

poster

60

?

6.4

/162/

50

/8/

56

/9/

3.5

/393/

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

poster

?

6.6

/66/

40

/3/

60

/5/

An ornithologist goes on a field trip to a deserted island near the mainland with his wife and small son, and is joined by the wife's sister, who is getting over an abortion; later, an escaped convict is discovered. A situation which may seem naturalistic enough, but the form never is: incidents are isolated, cross-relations are oblique, emotions are unexplained.

poster

56

?

5.9

/187/

50

/2/

60

/1/

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

poster

56

?

6.3

/49/

40

/2/

60

/1/

3.1

/279/

One man, two lovers: Ana and Anna, living in identical apartments. Paranoia is the name of the game in this hallucinatory.

poster

49

?

5.4

/191/

40

/3/

55

/4/

After a restless night he is awoken by his doorbell insistently ringing. Through the peephole, he sees a stranger. He doesn't know why that man is there but is immediately certain of one thing: he represents a terrible threat. He quickly dresses and manages to sneak away, no doubt in his mind that the stranger is pursuing him, and that the nightmare has only just begun.

poster

50

?

6.9

/69/

30

/2/

50

/1/

3.5

/244/

Mueda was a massacre. The name is that of the village in Northern Mozambique where in 1960 it took place. The Portuguese colonial regime did the killing. In independent Mozambique, those inhabitants of Mueda who survived regularly re-enact the massacre in situ. They themselves play the roles of victims, assassins, and spectators. Ruy Guerra, now a Brazilian but born in Lourenço Marques (now Maputo, the capital of Mozambique), filmed this extraordinary creation of liberated popular culture, intercutting it with first-hand interviews on the massacre. The mix is compelling, and the grave yet joyous spectacle unique.

poster

?

7.2

/81/

64

/7/

76

/9/

Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.

poster

53

?

6.0

/230/

51

/5/

50

/1/

The story of the CEO of a recently privatized company.

poster

70

?

7.5

/172/

66

/3/

67

/5/

3.7

/445/

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

poster

?

6.2

/79/

30

/3/

50

/1/

Rui Sequeira, a former fighter in the Colonial War, resident of a small village of Alentejo, celebrates another anniversary of the Carnation Revolution in the company of his wife and her daughter, the young Sara, with which he has a not so good relationship. On the night of the celebrations, the death of a friend forever alters his live, waking up a whole past long dormant.

?

Ruy Guerra's adaptation for French television of Edgar Allan Poe's short story.

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