mdblist.com logo The Best Luciano Emmer Directed Movies


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poster
67
31
6.9
/713/
66
/14/
62
/46/
3.5
/1138/

Sunday in August (1950)
The plot weaves several episodes with several groups of people, Roman families, youth gangs and young love couples, who spend a Sunday at the beach of Ostia.
poster
Criterion Channel
65
17
7.0
/456/
64
/16/
59
/19/
3.5
/520/

Girl in the Window (1961)
A romantic drama partially set in Amsterdam, this standard tale starts out in a mining area in Holland where conditions are about as rough as they get. Two of the miners, Italians Federico and Vincenzo take off together for the city's red-light district, where the women pose in windows for prospective customers. There the duo meet Else and Carrel who are willing to leave their windows to spend a weekend at a resort with the two men. Soon Else has fallen in love with Vincenzo and the future of the two hookers, as well as the miners, seems to look brighter.
poster
62
14
6.8
/317/
58
/8/
58
/22/
3.4
/283/

Three Girls from Rome (1952)
Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.
poster
?
6.2
/7/
10
/1/

La distrazione (1965)
Television investigation on the topic of free time.
poster
?
5.1
/13/
10
/1/

Giotto (1969)
Deals with the works of the artist Giotto, contrasting the hieratic mood of his predecessors with his innovations. Shows the major cycles of his frescoes, including those at the Upper and Lower Church of San Francesco, Assisi, the Scrovegni family Arena Chapel in Padua, and St. Croce in Florence.
poster
?
7.4
/16/
25
/2/
60
/1/

Bella di notte (1997)
A nocturnal exploration of the Villa Borghese museum in Rome.
poster
?
4.9
/15/
10
/1/

Basta! Adesso tocca a noi (1990)
The friendship between two high school friends is tested when they are forced to separate because of university.
poster
?
10
/1/

Cavalcata Di Mezzo Secolo (1952)
This historical documentary covers the period from 1900 till 1950: from the murder of King Umberto by the anarchist Bresci until the proclamation of the Italian Republic after the Second World War, including the Holy Year celebrations.
poster
?
10
/1/

Earthly Paradise (1956)
A documentary made up of 16-mm footage shot by explorers/filmmakers, originally shown to audiences during lectures organized by Connaissance du Monde.
poster
?
5.4
/11/
10
/1/
60
/1/

La sublime fatica (1967)
A short art history lesson on Michelangelo.
poster
?
6.2
/15/
70
/1/

Il dramma di Cristo (1948)
The documentary focuses on Giotto's frescoes in Padua.
poster
?
5.3
/41/
10
/1/

Pictura (1951)
A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
poster
?
6.3
/90/
40
/2/
50
/1/

A Long Long Long Night of Love (2001)
Reporter Marcello has a brief encounter with Irene while waiting for a train. A young woman who has lost her sight finds herself falling for the voice of a ship's captain she hears over a radio broadcast. Egle, a massage therapist who is soon to be married, finds herself pursuing one last fling with Gabriele -- though the odds are not in her favor, since he happens to be gay. Elena is a young woman with a child who wants to abandon her husband. And Carla wonders if she has any future at all with her lover -- who is married to someone else.
poster
?
6.5
/13/

Le flame del paradis - Le fiamme del paradiso (2006)
The film tells the true story of a poor peasant woman in the 1600s who lived in an isolated cave in the Val di Non. Accused of witchcraft by the townspeople, the woman is taken to Palazzo Nero, where under torture she admits her guilt and implicates her accusers in revenge for their wickedness. Condemned to death, she refuses to repent, and for this reason is burnt at the stake in the town’s square.
poster
?
6.8
/75/
53
/3/
56
/4/

Camilla (1954)
Camilla, a middle-aged Venetian widow, arrives in Rome to take up service as a maid for the Rossetti family, who are not prosperous. With her discreet presence, she is an element of cohesion for them thru tensions and misfortunes.
poster
?
20
/1/

Incontrare Picasso (2000)
Half a century after his documentary on Picasso, which was cut into various short films in Italy in order to distribute it more easily, Emmer returns to his own material to re-appropriate it and transform it: it would no longer be the asymmetric tale of an anonymous filmmaker who observes the genius painter in amazement, but a work created in complicity between the two authors reflecting on their two expressive means. It is half a tale that finally takes on the form sought by Emmer (the tale of a pigeon between two wars), and half a processual film in which we see Picasso create a mural that only exists in this film. Incontrare Picasso (Meeting Picasso) with the voice-over in the first person points towards the full expository and discursive authorship of Emmer’s two main essays: Bella di notte and Con aura…senz'aura.
poster
?
85
/1/

Trilogy - the Thought, the Look, the Word (2008)
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
poster
?
6.4
/53/
50
/3/
60
/7/

Islands in the Lagoon (1948)
A documentary about the Venetian lagoon, with the words of Diego Fabbri narrating scenes of strips of land swallowed up by the sea, of small boats sailing on the water, of men and women concentrating on their work in a world which is "a false sea and a false land."
poster
54
?
6.1
/113/
43
/3/
58
/5/

The Most Wonderful Moment (1957)
Pietro is in love with a nurse; they keep their affair secret until she falls pregnant. Worried that marriage will affect his career, she prepares for the upcoming childbirth
poster
?
10
/1/

Il dramma di Cristo narrato da Giotto (1966)
More than twenty years after Racconto da un affresco (1940-1946), Luciano Emmer returns to Padua and the Scrovegni Chapel, home to Giotto's frescoes. He retains the structure of his first film (telling the story of Christ through the frescoes) and his principle of immersion in the paintings, but this time in color. He adds an introductory educational section (a historical presentation of the chapel and Giotto's frescoes) and a descriptive commentary that runs throughout the film.
poster
?
20
/1/
70
/1/

Nostalgie (2001)
Art documentary on the paintings of the French artist Balthus.
poster
?
6.0
/7/
50
/1/

I magici colori di Napoli (2004)
The color of an eternal city, Naples, its people, its sounds and its volcano.
poster
?
5.3
/54/
30
/1/

3 Women (2003)
It is the story of three women in three different places: Turin, Paris and Luxembourg City. Stefania, whose husband has left her for a younger woman, lives alone and types fiction teleplays for a living... until the day she decides to open a new chapter of her life. Elena tries to commit suicide by jumping into the River Seine. She is saved by Bernard, a tramp who, after attempting to reanimate her, takes her to the emergency ward. Later on, they meet again. Stella tries to wake up her drunk companion so that he can become again Diabolique, the fire-eater of a small circus. She more or less manages to but her man is wounded while performing his act and finishes the night in a hospital room.
poster
?
7.3
/16/
10
/1/
60
/1/

Picasso (1954)
The evolution of Picasso's painting up to his “pink phase.”
poster
53
?
6.2
/243/
48
/5/
50
/20/

Paris Is Always Paris (1951)
A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.
poster
71
?
6.7
/10/
80
/1/
3.6
/241/

Il paradiso perduto (1949)
A journey through the garden of earthly delights.
poster
?
5.5
/14/
30
/1/

Il miracolo di San Gennaro (1948)
The cult of the patron saint of Naples is characterized by forms of tribal and popular religiosity.
poster
?
6.5
/60/
10
/1/
60
/1/

High School (1954)
It's the last year of highschool of a group of teenagers, and now they have to face their final exam, and the loves, happy or not, that sprung during those years of school.
poster
?
6.9
/34/
60
/2/

Romantici a Venezia (1948)
This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.
poster
?
60
/1/

Le donne, i sonetti, gli amori di Raffaello (2009)
A cinematic journey in search of Raphael's memory, told through a portrait of his women, his compositions, and his passions.
poster
?
6.3
/10/

The Legend of Saint Ursula (1948)
A short documentary describing of some of the paintings of Vittore Carpaccio at a gallery in Venice depicting the life of Sant Orsola (Saint Ursula).
poster
?
7.6
/27/
53
/3/
60
/1/

Leonardo da Vinci (1952)
This documentary tells the story of the brilliant Italian polymath, artist, sculptor, painter, poet, musician, writer, philosopher, scientist, botanist, geologist, cartographer, mathematician, anatomist, paleontologist, architect, urban planner, engineer, and inventor. The legacy of the brilliant Leonardo (1452-1519) to the world came in many forms: in the breathtaking beauty of The Last Supper and The Mona Lisa; in his rich collection of engravings; and in his notes on original thoughts on astronomy, biology, and physiology.
poster
?
5.9
/8/

Il paradiso terrestre (1942)
A documentary on the paintings of Gerolamo Bosch.
poster
?
6.1
/15/

Racconto da un affresco (1941)
The first art film by Emmer and Gras dedicated to Giotto's frescos in the Scrovegni Chapel in Padua. By capturing the humanity of the figures that populate the story of the life of Jesus, the two Directors treat the series of paintings like a true canvas, isolating the single scenes from the context of the work, and then re-composing them in a new synthesis. The film was re-edited in 1946 and entitled Il dramma di Cristo.
poster
?
5.6
/20/
10
/1/
60
/1/

Goya (1950)
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
poster
?
6.7
/10/

The Invention of the Cross (1949)
A text read by the narrator traces the vicissitudes of the crucifixion of Jesus, while the objective of the two directors investigates the style of Piero della Francesca by exploring his frescoes in the Arezzo church of San Francesco.
poster
63
?
6.8
/271/
54
/7/
66
/11/

The Bigamist (1956)
A traveling salesman is sent to prison after being accused of bigamy, while his wife and son are forced to consider leaving him permanently.
poster
?
5.7
/55/

All Human Rights for All (2008)
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
poster
?

Carosello che passione! (1977)
Luciano Emmer reconstructs the dawn of Italian TV advertising, in two parts: "Gli anni ruggenti" (The Roaring Years) and "Ma chi l'ha ucciso?" (Who Killed Him?).
poster
?

Le pecore di Cheyenne (2008)
The story of Cheyenne Daprà, a shepherdess, and her daily work over four days, one for each season.
poster
?

Con aura senz'aura. Viaggio ai confini dell'arte (2003)
Luciano Emmer and his love for art history, accompanied by Enrico Ghezzi. A journey through the historical and artistic memory of the great director, immersed in the recollection of the images he produced and loved throughout his long career.
poster
?

La sua terra (1941)
In collaboration with the School of Fascist Mysticism, Emmer recounts rural life in Predappio, the birthplace of Il Duce. Due to the final scenes, shot in the cemetery where the Mussolini family tomb is located, Il Duce ordered the destruction of the film.
poster
?
4.4
/5/

Destino d'amore, ovvero, piccolo mundo al platino (1942)
A film comprising of numerous sentimental depictions of love.
poster
?

Carceri d'invenzione. Piranesi (2009)
A film inspired by Piranesi's etchings.
poster
?

Goya La Paz la guerra (2009)
In 2009, shortly before his death, Luciano Emmer made this film, which is a revival of the one he made in 1950. All the views of paintings are replaced by color reproductions, but the rest of the film is identical.
poster
?

L'allegoria della primavera (1949)
The elegant allegories of Botticelli are our guides as we explore a universe in which mysticism and paganism meet.
poster
?

Aimez-Vous l'italie? (1976)
Emmer travels across the peninsula in search of the unique features that have always made it a destination for artists, writers, actors, and celebrities. Numerous interviews paint an interesting picture of foreign visitors, who are mainly motivated by a desire to absorb the culture of our land, but are sometimes simply fascinated by the spirit of Italians and their human warmth. Cities, monuments, and works of art are observed through the eyes of exceptional tourists.
poster
?

La musa pensosa. Viaggio nel pensiero dei filosofi greci e romani (2007)
The pensive Muse is Polyhymnia, “of many songs.” Daughter of Zeus and Mnemosyne, Memory—like her other sister Muses—Polyhymnia celebrates with her hymns those who have gained immortal fame thanks to their works. A reflective muse, depicted with her hand on her chin in a pensive and melancholic pose, she evokes a particular dimension of interiority and intellectual pathos. She is the spiritual guide of Luciano Emmer's journey through the thoughts and marble faces of the ancient philosophers.


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