mdblist.com logo The Best Marina Rosset Directed Movies


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poster
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6.2
/12/
60
/1/
62
/4/

A Tale of Springtime (2023)
A program of 4 short films to awaken nature and hearts! Spring is just around the corner. In the middle of the jungle or the forest, nature takes back its rights, encounters surprise more than one, feelings of love blossom and troubadours sing for the queen. Stories of great originality brought to life by young animation talents to celebrate this season full of promise.
poster
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6.7
/11/
65
/1/

The Bears Hand (2008)
Three brothers live alone in a forest clearing. When the youngest must go into the forest to take one of his brothers' places, he is so scared that he daren't open his eyes, and bumps into a bear.
poster
58
?
6.8
/48/
35
/4/
3.6
/263/

The Queen of the Foxes (2023)
The queen of the foxes is the saddest of them all. In order to make her happy, her worried gang swarms out at night to lay at her feet the secretly written, but ultimately unsent love letters retrieved from the city's rubbish. With its beautifully painted and animated images, La Reine des Renards is an ode to love.
poster
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6.8
/39/
60
/1/
70
/1/

Tender Owls (2015)
A music video made collaboratively for the strange 1994 song by French band Les Pirez, which had become a hit at one of the main Russian domestic animation festivals.
poster
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6.4
/11/
70
/1/

La fille aux feuilles (2013)
A fish dies. A man moves through the trees. Strange things are happening in the forest.
poster
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57
/3/

Le Mulot menteur (2011)
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poster
68
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60
/1/
76
/48/

Re-Cycling (2014)
This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.
poster
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Last Minute (2010)
The chalk chases the shadow. Once it is captured, only traces of the game remain. Drawing, erasing, drawing again on a porous surface. Like on a sloppily wiped blackboard, shades of images that have long ceased to exist shine through. Špela Čadež stages a race between fleeting and manifest forms that – at least in terms of film theory – knows no winner.


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