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The Best Olle Hedman Directed Movies

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Hedman’s first films that are preserved (the early production on Super-8 is lost) are graphic-rich audio-visual studies, eg. 'A Semiotic Study of Unlogic Figure Codification (1973, together with H.P. Andersson) and Aforism (1974). These two, as well as most of Hedman’s films, were made with the support of Filmverkstan. Hedman also came to assist several animators at Filmverkstan, among others. Lilian Domec in her early animation Höghuset. (Filmform)

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An attempt to show how illogical movement patterns are possible in a two-dimensional space. (Filmform)

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Rolling Coca Cola bottles and industry sounds. This is part of a series of anti-commercial films. (Filmform)

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Olle Hedman's interpretation of Åke Karlung's “Globabels torn” at the Modern Museum 1979. (Filmform)

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Coca Strip was shot in a bathtub. The film is a visual representation of the ‘Coca empire’s artificially flavored, canned music. A black and white walk in the subterranean ruin of the Empire builders alone with Felix the cat. Pursued by submissive, radar-controlled dogs, in a shadowy world with no return. Hanging in the umbilical cord of Imperialism, force-fed and preserved on the point of total disintegration before final misery.’ (Olle Hedman, 1991)

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A reflection on noise, silence, and grain. (Filmform)

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The multinational company's main marketplace — the film consists of a synch leader with Coca Cola at the end. (Filmform)

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Roma is a poetic documentary about Rome, created during a trip to Italy in November 1987. Sequences showing the Pantheon, rustling leaves, a tiger-striped cat on a car, the pigeons at Santa Maria Maggiore, and the Tiber against the light are presented with precise, rhythmic displacements. Painterly shadows and graphic nuances are played out on the screen. (Filmform)

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Dialogue is based on a poem, which is absurd, erotic and poetic. (Filmform)

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Abstract animation. The sound is recorded during a show at Gröna Lund in Stockholm, where Edmundo Zanolini and Michel Laub performs. (Filmform)

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A crushed fly. An outline of organic forms, an illusory trip. (Filmform)

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Amazing Maze is based on the stories of different people's passion for pinball. Cherry, the company that owned the pinball arcade Alexander Lucas, located in Hötorget subway station in Stockholm, lended their machines for the shooting of this film. The stories are taken from Cherry's ads. Olle Hedman reacted to warnings in the media about how damaging pinball could be for children and youth. (Filmform)

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In 'Metro Means of Conveyance', Hedman refines the non-literary and visually poetic idiom. Time and motion has been sculpted in graphic black and white on the two-dimensional screen. Time and motion are fundamental dimensions for film as an art form. A pendulum movement, subjectively illustrating a measured length of time. Shadows, contrasts and abstracted light sources, further elaborated. Metro is based on impressions of Chatelet Metro station in Paris. It is individualistic and subtle portrayal of an atmosphere and setting as seen through the linguistic syntax of the film strip. (Filmform)

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