mdblist.com logo The Best Suneil Sanzgiri Directed Movies


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6.8
/6/

Two Refusals (Would We Recognize Ourselves Unbroken?) (2024)
A two-channel experimental film explores interwoven narratives of struggle against Portuguese colonialism, uncovering the intercontinental network of relations that developed between historical figures in Goa, Mozambique, Angola, and Guinea-Bissau.
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6.6
/17/
60
/1/
45
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Golden Jubilee (2021)
In Golden Jubilee, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region.
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66
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6.0
/40/
70
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3.5
/299/

Letter From Your Far-Off Country (2020)
Drawing upon a rich repository of images—from digital renderings of Kashmir’s mountains to the textured materiality of 16mm hand-processing and direct animation techniques—Letter From Your Far-Off Country maps a hidden vein of shared political commitment and diasporic creative expression, linking a poem by the Kashmiri American writer Agha Shahid Ali, interviews with the filmmaker’s father, and a letter addressed to Prabhakar Sanzgiri, a leader of India’s Communist party and a distant relative of the filmmaker.
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An Impossible Address (2025)
Haunted by questions of disappearance, loss, and revolutionary struggle, An Impossible Address continues Sanzgiri’s examination of the life of Sita Valles and the bonds of solidarity that developed between India and Africa against the Portuguese empire. Combining 16 mm film with digital animation, hand processing, and 3D scanning, the film is a kaleidoscopic and sonically vibrant experimental personal essay shot across Angola, Goa, and Portugal.
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At Home But Not at Home (2020)
Sanzgiri's father was 18 when India ousted the last remaining Portuguese colonisers from Goa in 1961. Combining 16mm with drone footage, desktop screenshots, and Skype interviews with his father, Sanzgiri utilises various modes of seeing at a distance to question identity, the construction of memory and anti-colonial solidarity across continents.


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