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The Best Serdar Kökçeoğlu Directed Movies

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poster

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At the beginning of the 1960s, İlhan and Güngör Mimaroğlu moved from İstanbul to New York to start a new life. With a keen interest in avant-garde music, İlhan Mimaroğlu went on to become a leading composer of the nascent field of electronic music with his work at Columbia University, while Güngör Mimaroğlu would show an exemplary political stance at the forefront of the peace protests that took the 1960s by storm. "Mimaroğlu" is the story of a unique pair of spirits that have complemented each other in many ways.

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Türkiye’s modernization adventure is an intermittent one that carries the pains of transition from empire to republic and of geographical liminality in every aspect of culture. At the center of this arduous modernist attitude in art is İlhan Usmanbaş, who was born in 1921 in the Ottoman Empire, whose atonal music of the 1950s influenced not only the field of music but also literature. As an essay film, Modernist: Usmanbaş both traces the composer's insistence on playing 20th century music in his compositions and visual notation and follows him in the private nursing home where he lived from the age of 100 to 103. While the film records Usmanbaş's curiosity in natural history and the intellectual structure he built between music, science and mathematics with the testimonies of the last years of his life, it also makes references to modernist art in formal terms as a meta attitude.

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A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

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Composer Erdem Helvacıoğlu recorded sounds at three different locations around İstanbul and turned them into compositions. This film documents a journey in pursuit of sounds.

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An archival biography in three chapters, exploring the revolutionary potential of being a cinephile... A war pilot, a radical revolutionary, and a cinephile... This is the portrait of a man who left the army and built a successful career as businessman in Europe. Only a few people knew that he was also an undercover member of the resistance movement against Turkey’s military regime in early 1970s. Mekin Gönenç later dedicated most of his life to the movies. When he died after suffering a heart attack while swimming in 2011, he left behind thousands of VHS tapes and meticulously crafted home-made film journals. His death between the two blues he cherished most—the sea and the sky— now give some consolation to his wife. Through archives, we trace the journey of a 20th-century romantic. (DokuFest, Balkan Dox, 2025 )

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