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The Best Yan Wai Yin Directed Movies

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poster

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Tugging Diary documents a footbridge over a year between August 2019 to January 2021. Due to social unrest and the uncertainty of various immediate happenings, both the internet and physical spaces act as critical communication platforms of its own during this period. As such, information can be circulated in the community more widely and rapidly outside of the existing mainstream media. As time goes by, these materials are continuously altered, some were renewed, while the others were removed, covered with paint, or overlaid by other information.

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When I first took up this Super 8 camera, I knew I was about to leave my home. Too Long Ago, Not Far, shot between 2019 to 2023, alludes to the Huaying Tongyu [華英通語, meaning: interchangeable expressions between Chinese and English, first published in 1867 in New York], the earliest English textbook for Chinese people that uses Cantonese phonetic notation to teach the pronunciation of English words. This seamless editing mode offers me the base to record everything in the city as notations, things that I want to look at over and over again. Perhaps by the time I go back, nothing changes, everything remains the same. As the Chinese saying goes, horse keeps on running, and people keeps on dancing.

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Muted Bridges records five oddly refurbished bridges in the Hong Kong Island which were once heavily covered with slogans, signs and information during the social unrest. It is a direct response to my previous work 'Tugging Diary,' where everything are renewed, erased, as if there’s a new page awaiting.

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Hyacinthine Scar condenses the undigested emotions in me while traveling from Hong Kong to my brother’s wedding in Guam. Presences and gazes of all sorts, to look and to be looked at, repetitive camera work of the hired videographers, the vow that is rehearsed over and over again by the priest, all the uncontrollable clickings of the shutter from all us (including myself), and the endless sightings of different sides of the fragmented Western Pacific. The many spots I visited appear as though they belong to passersby. They are as real as they are dreamy.

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Constructed in the form of an eye test/observational diagnosis, Localized Blindness is a semi-autobiographical video that documents several internal monologues: What is left after the passing of an individual? It's between me - an individual who witnessed consecutive passings; another me - an observational being who observed the changes of my accompany and the surrounding; and the other voices, all that echo the distance between the subject and the outsider.

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