mdblist.com logo The Best Uri Zohar Directed Movies


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poster
?
10
/1/

Shabat Shalom - The Foot and the Ball (1966)
Escalating tensions during soccer games.
poster
?
10
/1/

An exercise in simple symbols (1961)
An exercise in simple symbols
poster
?
6.8
/76/
40
/3/
56
/6/

Every Bastard a King (1968)
An American reporter and his girl-friend are visiting Israel to get a "sense of the people", in the process he meets many Israelis and some Arabs as well, particularly becoming friends with an Israeli Army reserve officer as well as an idealistic young man who is a pacifist.
poster
?
7.4
/10/
10
/1/

The Other Side (1968)
An experimental and absurd avant-garde film about a bunch of unrelated people, all standing on the side of the road waiting for the traffic light to change from red to green, but the traffic light won't change. More and more people gather on the sidewalk, and a kind of class society is formed there. The film was shot during one day in which Ephraim Kishon lent Uri Zohar the set of "Blaumilch Canal" at Herzliya Studios.
poster
?
7.8
/76/
70
/1/

Lool (1988)
Directed by Boaz Davidson and Uri Zohar.
poster
?
6.7
/17/
10
/1/
80
/1/

The True Story of Palestine (1962)
Hundreds of hours of raw material shot by Nathan Axelrod, a pioneer of Israeli filmmaking before the State of Israel who documented the building of the Jewish Yishuv in Palestine – are the building blocks of the film before us: Meir Dizengoff riding his horse, Hannah Maron as a young girl trying to sell us shoelaces, the inauguration of the new port in Tel Aviv, settlers breaking ground in Hanita, the Habima Theater and Hannah Robina, the stars of the Matateh Theater, two kids tap-dancing, Ben Gurion and Shlonsky`s hair-dos, a Tel Aviv soccer match, the illegal immigration, scenic shots (swamps and desert), and more and more from the never-ending treasures of the “Carmel Films” archive.
poster
?
7.0
/30/
45
/2/
85
/2/

Moishe Air-Condition (1966)
A comedy about Moishe, a soldier in the army whose nickname is Moishe Air-Condition.
poster
66
?
6.9
/183/
57
/7/
68
/6/
3.5
/201/

Three Days and a Child (1967)
Based on a short story by Abraham B. Jehoshua, the movie follows Eli (Oded Kotler) taking care of an old girlfriend's child for three days. He wants him to get hurt, he worries about him. Will the child survive the three days? Will Eli?
poster
?
7.1
/26/
10
/1/
70
/1/

The Rooster (1971)
N/A
poster
46
?
5.1
/225/
25
/5/
51
/7/
60
/1/

Bloomfield (1970)
An aging soccer player has a part-time girlfriend, a young fan, and doubts about throwing a game.
poster
58
?
7.1
/539/
46
/8/
49
/7/
3.4
/283/

Peeping Toms (1972)
Gote and Eli are two aging friends who don't want to age. Gote is a lifeguard who's fighting peepers on the Tel-Aviv beach. Eli is a guitar player who dreams of building a night club in altman's restaurant.
poster
?
6.4
/14/
10
/1/
60
/1/

Take Off (1970)
3 friend try to have swingers night.
poster
58
?
7.1
/229/
40
/5/
52
/5/
3.5
/245/

Big Eyes (1974)
Benny Furman is a basketball headcoach who can't decide what he really wants.
poster
?
6.6
/29/
56
/3/
60
/1/

Fish, Football and Girls (1968)
The story of a soccer team, respectable families, a corrupt night club owner, and a young lad to guide all to a happy ending.
poster
?
6.4
/73/
58
/5/
58
/4/

Save the Lifeguard (1977)
Comedy about day to day life of a Gordon beach lifeguard and his friends.
poster
55
?
6.4
/192/
40
/6/
57
/9/
3.5
/200/

Hole in the Moon (1964)
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.


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