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The Best Copel Moscu Directed Movies

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poster

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35

/2/

Bearing the signature melancholy, affection, and absurdist irony of associative form that would define his filmography, Copel Moscu’s debut is a loving portrait of miners and their arduous, sun-deprived existence.

poster

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10

/1/

On the banks of Ozana follows the lives of children who dedicate their time to agricultural work.

poster

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10

/1/

A movie about chickens and kids. The film was made in 1985, but screened only in 1990 for reasons that even Communist censors found hard to explain. A chicken farm that was very modern for its time included a kindergarten reserved for the employees’ children. The film uses the parallel between raising chicken and human babies as the starting point for a meditation on human nature.

poster

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“Cinema, Poetry, and Trains in Tîrgu Neamț” might serve as the subtitle for this film, which Copel Moscu composes in a deliberately atomised manner, capturing the rhythm of a small provincial town in late-1980s Romania: cinema as escapism, pouring rain à la George Bacovia, and a vague love story between a woman projectionist and a railwayman come one after the other over the course of this somewhat comical elegy, whose meanings do not achieve the poignant depths of Moscu’s other films.

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How did the Romanian authorities carry on the murders of thousand of jews at Iași? This documentary follows the 1941 pogrom through photographs and confessions of the survivors.

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