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The Best Glauber Rocha Directed Movies

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poster

77

71

7.1

/6157/

72

/154/

71

/163/

3.8

/28278/

100

/15/

79

/54/

74

/6/

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.

poster

73

61

7.3

/3941/

75

/114/

73

/121/

3.9

/17009/

60

/5/

81

/30/

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

poster

71

57

7.0

/2560/

66

/96/

69

/88/

3.8

/10792/

76

/392/

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

poster

69

45

7.1

/951/

65

/25/

68

/38/

3.7

/4255/

67

/223/

In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.

poster

70

33

7.0

/418/

71

/20/

61

/23/

4.0

/3249/

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

poster

62

32

6.3

/508/

54

/14/

59

/28/

3.6

/2170/

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

poster

71

24

7.4

/235/

71

/10/

67

/13/

3.7

/1711/

A report on Sarney's inauguration as the governor of the Maranhão state. His promises are heard alongside images of the grim reality.

poster

60

17

5.9

/207/

53

/6/

66

/11/

3.1

/1237/

A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.

poster

74

14

7.4

/164/

77

/7/

72

/7/

3.6

/750/

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnations Revolution", as that period would be later known.

poster

67

8

6.7

/158/

51

/5/

80

/2/

3.6

/544/

This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.

poster

?

8.8

/6/

80

/1/

One of the most daring and radical shows presented in brazilian television: "Abertura". It was broadcasted between February and October, 1979 with weekly editions, presented by brazilian filmaker Glauber Rocha. The video is a compilation of characters, statements and interviews about the political and cultural situation of the country during the final stages of the Military Dictatorship.

poster

?

6.5

/24/

35

/2/

Unfinished documentary about the "March of the 100,000", driven by the student movement against brazilian dictatorship in 1968. Glauber directed with "Antonio das Mortes'" cinematographer, Affonso Beatto. A mysterious film.

poster

?

6.7

/47/

60

/2/

Jorjamado no Cinema foi feito para um programa de televisão consagrado ao escritor Jorge Amado. Nesse documentário, Jorge Amado é filmado em sua casa, rodeado por sua numerosa família; numa livraria, durante uma sessão de autógrafos de um de seus livros, em um cinema em Salvador, na avant-première do filme Tenda dos Milagres, de Nelson Pereira dos Santos, adaptação do livro homônimo de Jorge Amado. Glauber filma seu amigo com muito humor e carinho. A câmera vai evoluindo lentamente, sem cessar e com rapidez sobre o escritor, seus familiares, atores e atrizes do filme de Nelson, além de passar por objetos de rituais de candomblé que constituem o museu de Jorge Amado.

poster

57

?

6.8

/121/

50

/2/

43

/6/

3.5

/349/

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.

poster

60

?

6.9

/102/

45

/5/

65

/8/

3.2

/433/

A brief look at Amazonas, its population, their costumes, the rich nature and its importance to Brazil and the world.

poster

?

8.1

/11/

10

/1/

Short film. Lost.

poster

67

?

6.5

/795/

61

/23/

62

/27/

3.9

/2902/

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

poster

48

?

5.8

/192/

26

/3/

43

/7/

3.3

/325/

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.

poster

?

7.4

/42/

10

/1/

63

/3/

The film, created in exile from 1971 to 1973 between Cuba and Rome, is considered a "semi-finished" work by Glauber Rocha. It has a certain pedagogical character and seeks, through dialectical editing, to conduct a critical review of colonization, class struggle, messianism, and the establishment of populist governments in the Third World. There is a chronology in the events presented, which, supported by extensive iconography (films, engravings, photos, etc.), create "free" associations that allow the viewer a "polyphonic" view of the "History of Brazil."

?

One of Rocha’s first breakout performances, this rare piece of work follows the life of a brazilian shoe-maker, and his hardships in the favelas of Recife.

poster

?

A diary of a trip filmed by Glauber in Punta del Leste (Uruguay – 1972) that documents the reunion of the Rocha familiy: Dona Lúcia, the mother; Anecy Rocha, the sister; Paloma, the daughter, and Walter Lima Jr., the then brother-in-law, with the director, exiled in Europe.

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