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The Best Mark Donskoy Directed Movies

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poster

69

20

7.2

/838/

64

/18/

58

/25/

3.6

/638/

79

/5/

Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.

poster

65

11

7.0

/325/

64

/12/

57

/15/

3.6

/241/

Second entry in Ukrainian director Mark Donskoy's "Maxim Gorki" trilogy. Picking up where 1938's My Childhood left off, the story covers the years in Gorki's life when the future writer (Alexei Lyarsky) was on his own, looking for a purpose and place in life.

poster

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5.3

/36/

50

/2/

Two country boys move to Moscow. One becomes a construction worker who dreams of being an inventor, the other becomes a decadent poet.

poster

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6.6

/24/

10

/1/

N/A

poster

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7.1

/35/

A coming-of-age story about a flute-playing boy (Yyvan Kyrla) from the Mari people, a national minority who lived near the Volga, and how he is educated by the Soviet state.

poster

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6.5

/32/

10

/1/

60

/1/

Family drama centering on the childhood of Vladimir Lenin, then Vladimir Ilich Ulyanov, in the city of Simbirsk, and his relationship with his mother.

poster

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6.2

/54/

10

/1/

56

/5/

Mark Donskoy went to the wilds of Siberia to film this Soviet movie about a community that resists the temptations of a wicked American capitalist who wants to exploit their lands.

poster

54

?

6.9

/139/

48

/5/

43

/6/

Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary. Based on Gorky's novel, filmed in the silent era by Pudovkin.

poster

?

6.9

/28/

60

/1/

The drunkard and his wife become orderlies in a cholera barracks during the outbreak.

poster

60

?

7.1

/290/

60

/4/

49

/9/

The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most is Olga (Nataliya Uzhviy), a Soviet partisan who returns to the village to bear her child, only to endure the cruelest of arbitrary tortures at the hands of the Nazis. Eventually, the villagers rise up against their oppressors-but unexpectedly do not wipe them out, electing instead to force the surviving Nazis to stand trial for their atrocities in a postwar "people's court." (It is also implied that those who collaborated with the Germans will be dealt with in the same evenhanded fashion).

poster

?

6.1

/28/

10

/1/

A sad story about a little Japanese girl fighting heavy decease in a Russian summer camp on the Black Sea coast.

poster

?

6.7

/59/

26

/3/

63

/3/

Foma Gordeyev, the son of a wealthy Volga merchant, doesn't want to continue his father's work. The mind is sickened by the dirt and injustice of life around him. Foma is seeking solace in a drunken rampage and wild antics. After many years of desolation, he is half-ill at the opening of a night shelter built with his father’s money.

poster

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6.0

/34/

40

/1/

Set in the high North, this tale of a Russian teacher who begins to educate the children of the Chukchi tribe reinforces the director's firm belief in the power of education to overcome distrust and establish a shared civilizational foundation for all human beings.

poster

58

?

6.4

/207/

55

/5/

54

/11/

A life-long story of a romantic school teacher who left imperial St. Petersburg for teaching country children. Driven by noble intentions to enlighten people and examples by 1880s revolutionary "People's Will" member teachers, a young woman spent her life in a village and evidenced the changes a Russian village has undergone from pre-revolutionary tsarist times to late 1940s.

poster

?

6.8

/63/

61

/6/

Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.

poster

60

?

6.5

/275/

63

/11/

55

/13/

My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.

poster

?

6.7

/104/

18

/5/

This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.

poster

?

6.5

/32/

10

/1/

70

/2/

The film tells about the childhood and youth of the wife, friend and military ally of the founder of the country of the Soviets Nadezhda Konstantinovna Krupskaya. The main attention in the film is paid to the participation of a young revolutionary in the organization of the struggle of the workers of St. Petersburg for their rights, against the autocracy.

poster

50

?

6.4

/153/

52

/8/

36

/7/

An adaptation of a story by a Ukrainian writer Mykhailo Kotsiubynsky that anticipates the Ukrainian "poetic cinema" of the '60s in its focus on star-crossed lovers and its celebration of nature. Set in the 1830s, the film follows two lovers on the run - a girl forced into marriage and her boyfriend, a serf who's being sought by the authorities - as they try to make their way to freedom.

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Fighting Film Collection No. 9 (Boyevoy kinosbornik No. 9) is the ninth issue of Boyevoy kinosbornik series, released in May 1942. It contains three segments: "Kvartal No.14/Block 14" (Savchenko), "Siniye skaly/The Blue Cliff" (or "Blue Crags") (Braun) and "Mayak/The Signal" (or "Beacon") (Donskoy).

poster

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Lost movie.

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