mdblist.com logo The Best Laurie Anderson Directed Movies


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poster
82
7.9
/456/
79
/11/
82
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3.8
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93
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Home of the Brave: A Film by Laurie Anderson (1986)
A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985. The film includes songs from her 1984 album 1984’s “Mister Heartbreak” and selections from her 1983 “United States” show, along with eclectic, experimental visuals blending film, animation, dance and electronics.
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Criterion Channel
75
7.0
/2716/
75
/114/
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/54/
3.6
/6393/
95
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84
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Heart of a Dog (2015)
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
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8.7
/55/
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/1/

Laurie Anderson: The Collected Videos (1991)
Featuring The Videos : Beautiful Red Dress / Language Is A Virus / Sharkey's Day / O Superman - Including Excerpts From : What You Mean We / Alive From Off Center / The Eleventh Hour - Plus Never Before Seen Live Footage - Interview Footage - And More...
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aloft (2017)
Aloft is an interactive VR work created through a collaboration between Huang Hsin-Chien and US artist Laurie Anderson from 2016 to 2017. Audiences will be placed in a VR scene that is 16,000 meters mid-air and embark on a fantastical journey amid a gradually disintegrating plane fuselage, which symbolizes industrial civilization. The audience’s perspective is suspended mid-air, with debris representing memories and symbols floating past. The narrative is activated when audiences attempt to touch the debris with their hands. The black box flight recorder, letter paper scribbled with blurry handwriting, and a rusty old phone sending ambiguous signals, all represent human history and memory and are rearranged according to the touch of curious audiences.
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To the Moon (2018)
To the Moon uses images and tropes from Greek mythology, literature, science, sci-fi space movies and politics to create an imaginary and dark new moon.
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La Camera Insabbiata (2017)
La Camera Insabbiata is a virtual reality work by the legendary artist Laurie Anderson, and Taiwanese new media artist Hsin-chien Huang. The work recently won the Best VR Experience Award at the 74th Venice Film Festival and the two artists have been approached by the Metropolitan Museum of Art in New York City for a new VR production . La Camera Insabbiata consists of eight unique rooms, where the viewers enter a virtual world made of blackboards symbolizing “memory,” and freely fly around to explore words, drawings, symbols, sounds, and memories.
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Songs for Lines/Songs for Waves (1977)
This performance consists of ten songs in which music, language and images are equally important. In most of these songs, Anderson plays the violin, accompanied by her own singing and an audiotape (with spoken text, more singing or more violin music). Her songs are often combined with a film projection: she is framed by the light from the projection, and is playing with the shadows cast by her body and her violin. Anderson makes experimental music, and she often find solutions in technological inventions, as with the song 'a man, a woman, a house and a tree'. The music for this piece is created with the help of a ‘slow-scan’ machine, which registers visual information and transforms this into sound. These experiments are not only about music, but also abou language: anagrams, play on words and poetic stories. The introductory anecdotes that Anderson tells are just as important as the song itself.
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Carmen (1991)
Anderson’s Carmen, who works in a tobacco factory, is as strong-willed and carefree as the original (she steals cigarettes off the assembly line). The one significant difference in that she is married. The young soldier from Georges Bizet’s original opera (1875) has been transformed into her indifferent husband who sits home idly watching television with the kids while she works.
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Spending the War Without You: Virtual Backgrounds - The City (2021)
Laurie Anderson presents Spending the War Without You: Virtual Backgrounds. The City is the fifth in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. This talk will consider teachers, activism and politics.
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Spending the War Without You: Virtual Backgrounds - Rocks (2021)
Laurie Anderson presents Spending the War Without You: Virtual Backgrounds. Rocks is the third in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. The talk will consider language, lyrics and the narrator.
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Spending the War Without You: Virtual Backgrounds - The Forest (2021)
Laurie Anderson presents Spending the War Without You: Virtual Backgrounds. The Forest is the second in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. This talk will consider place­ – visual and spatial sound.
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Spending the War Without You: Virtual Backgrounds - The River (2021)
Laurie Anderson presents, Spending the War Without You: Virtual Backgrounds. The River is the first in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. The talk will consider spending time in the slowdown – time in music and stories.
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Spending the War Without You: Virtual Backgrounds - The Road (2021)
Laurie Anderson presents Spending the War Without You: Virtual Backgrounds. The Road is the fourth in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. The talk will consider technology, media hypnosis, radio, speed and invention.


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