mdblist.com logo The Best Jean Mitry Directed Movies


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poster
66
18
6.8
/408/
64
/21/
63
/22/
3.5
/515/

Pacific 231 (1949)
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
poster
?
6.7
/25/
10
/1/

Images pour Debussy (1951)
This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.
poster
?
6.8
/17/
10
/1/
20
/1/

Symphonie mécanique (1956)
N/A
poster
?
7.1
/28/
90
/1/
90
/1/

Paris Cinéma (1929)
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
poster
?
4.4
/30/
10
/1/
38
/4/

The Enigma of the Folies-Bergère (1959)
The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.
poster
?

Écrire... en images
This film was conceived as a means of initiation for schools and organizations specializing in film culture. It is the first in a series designed to introduce the main technical and aesthetic aspects of film creation.


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