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The Best Tomu Uchida Directed Movies

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poster

80

57

7.9

/1500/

70

/22/

73

/47/

4.1

/2132/

96

/166/

Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.

poster

67

40

6.7

/118/

20

/2/

66

/7/

100

/5/

85

/220/

In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging

poster

74

35

7.4

/1078/

66

/23/

74

/36/

3.8

/1993/

80

/4/

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

poster

72

30

7.2

/542/

65

/16/

74

/14/

3.9

/2121/

A court fortune-teller loses his mind after a conspiracy leads to the death of his lover. Hope appears to be on the horizon after he becomes romantically involved with his dead lover's twin sister, but more complications arise thanks to a chance encounter with a clan of shape-shifters.

poster

74

12

7.6

/349/

65

/6/

86

/10/

3.6

/270/

A successful textile industrialist from the provinces, who is beloved by his employees for his kindness, cannot find a wife because of a disfiguring birthmark on his face. Even the courtesans in Yoshiwara refuse to entertain him, until an indentured peasant prostitute, Tamarazu, takes the unsavoury assignment and treats him with brash tenderness.

poster

69

10

7.1

/300/

64

/7/

73

/11/

3.5

/245/

In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.

poster

?

6.4

/25/

10

/2/

A drama about relations between Japanese immigrants and the indigenous Ainu on Hokkaido, the most northerly island of Japan. From a novel by Taijun Takeda.

poster

?

10

/1/

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

poster

?

6.2

/16/

57

/3/

Sweat (1929) is a slapstick riff on tendency-film themes, as a bored young millionaire has his clothes stolen by a tramp; dressed in the tramp’s clothes, he has to accept work as a labourer. As the hero ends up building the mausoleum he had himself commissioned.

poster

?

5.8

/15/

70

/1/

A moral fable about discovering money that somebody has dropped

poster

?

6.8

/17/

10

/1/

This adaptation of a Hideji Hojo novel, about the historical uprising of the Kuroda clan in 1633, is told through the eyes of retainer, Daizen. As his clan’s new leader, Tadayuki, becomes increasingly militant in his opposition to the Tokugawa shogunate, Daizen is forced to reconcile his loyalty to the clan with his loyalty to Tadayuki, who seems dead set on entangling the clan in destructive conflict. The Kuroda Affair’s mise-en-scène is said to have influenced future Toei director Eiichi Kudo. The film also features two of the greatest stars of Japanese period cinema, Chiezo Kataoka and Ryutaro Otomo.

poster

69

?

7.2

/114/

62

/4/

74

/5/

Kanji is a poor peasant widower who struggles to earn a living for his daughter and himself and to pay off his father-in-law's debts.

?

30

/1/

N/A

poster

?

7.0

/57/

35

/2/

52

/4/

This subversive period film features a hotheaded young samurai, Kurodo, who threatens to commit harakiri in response to the humiliation meted out to his family by the Shogun. The film critiques the inhumanity of feudal obligations, and Uchida’s direction slyly satirizes the contemporary cinematic audience, whose taste for onscreen bloodshed is mirrored in a crowd gathering to watch the protagonist’s planned suicide. The Master Spearman is imbued with Uchida’s characteristic blend of dark humor and stylized action, and Ryutaro Otomo gives an admirable performance in the lead.

?

75

/1/

History film directed by Tomu Uchida.

poster

66

?

7.2

/163/

60

/2/

65

/6/

Itami, a young policeman, meets his high school friend, Tetsuo, a gangster, at a roadblock. As they rekindled their friendship, a complex relationship is established between them.

poster

?

7.7

/87/

46

/3/

80

/3/

Set in a tavern, director Tomu Uchida depicts the joys and sorrows of the people who gather there in an experimental style, weaving in a variety of music in this ambitious ensemble drama.

poster

?

4.6

/7/

A pre-war sports movie by director Tomu Uchida. This story is set at the Waseda-Keio regatta. This was shot at the banks of the Sumida River, where the regatta is still held today. The main stroke role of Mochizuki was played by young star Tsunemi Hirose. Mochizuki, who enrolled in A University that lost the previous year gains the trust of the President's niece Mitsuko (Shizue Natsukawa) but a spy from the other side uses this relationship to create a scandal. The regatta approaches, with Mochizuki not able to participate... The supporters and atmosphere of student sports at the time are well presented.

poster

?

8.4

/22/

One of Uchida’s early sound films, Unending Advance is based on a curious story by Yasujiro Ozu, in which an examination of the quotidian problems of a middle-aged salaryman and his family segues into an idyllic dream of an implausible future. The surviving print, although incomplete, offers an essential glimpse into Uchida’s prewar period, when he was associated more with realist dramas than with the period films that dominated his work after the war.

poster

57

?

5.7

/45/

58

/6/

65

/2/

5.3

/300/

An early silhouette animated film by Hidehiko Okuda, Hakusan Kimura and Tomu Uchida. The original story is a Buddhist tale of a young lady who saved a crab (a spiritual being according to Japanese Buddhist faith) from being eaten, and was later saved from danger by the same crab.

poster

?

6.4

/10/

N/A

poster

?

10

/1/

Tomu Uchida's Gyakushu Gokumon Toride is a masterpiece which treats class struggle in the end of Samurai era(it's a fiction). The story is based on the legend of William Tell, changed at the end of age of Samurai.

poster

63

?

7.2

/223/

45

/2/

74

/11/

The remake of Yoshikawa's novel continues with the second installment in which Takezo, soon to be Miyamoto Musashi, emerges from the Himeji Castle after three years of intense contemplation and philosophical study and starting on his epic quest to complete his skill in the Way.

poster

57

?

7.2

/224/

30

/2/

70

/11/

In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.

poster

57

?

6.8

/199/

35

/2/

70

/11/

In the third installment of Yoshikawa's novel Musashi, things continue from the 2nd film at the end of battle, where Miyamoto continues on a mission of learning; with the introduction of his arch-rival Sasaki Kojiro; and lastly the large cast of characters rendezvouses for a fateful finale.

poster

?

7.3

/61/

25

/2/

60

/1/

Nobuko is a widow who lives with her stepchild Tamiko and her brother Junjiro. The family's gatekeeper, Komatsu, is attracted to Tamiko, but she is encouraged to marry a doctor and he is afraid to tell her his feelings.

poster

61

?

7.1

/198/

40

/2/

73

/11/

The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.

poster

57

?

7.4

/120/

40

/2/

50

/7/

Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.

poster

?

6.8

/64/

50

/4/

66

/5/

This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.

poster

?

7.3

/35/

10

/1/

72

/6/

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

poster

?

6.8

/63/

52

/4/

66

/5/

Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!

poster

58

?

6.7

/117/

45

/4/

62

/4/

First part of the famous Dai-bosatsu toge trilogy, based on Kaizan Nakazato’s unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesnt hesitate to kill anyone, bad or good. Despite the authors explicit refusal, the series were later made into plays and movies several times.

poster

?

7.2

/34/

10

/1/

60

/2/

With his penultimate film, Uchida revisited one of his popular prewar titles, 1936’s Theatre of Life, an adaptation of Shiro Ozaki’s eponymous novel. Three-time Seijun Suzuki collaborator Goro Tanada wrote a gangsterized adaptation of Ozaki’s story for Uchida at a time when the yakuza had eclipsed the samurai genre as Toei's main cash crop. Protagonist Hishakaku murders a man in a quarrel over a barmaid and goes to jail. In his temporary absence, his girlfriend Otoyo, a former geisha, falls for Hishakaku’s brother, inciting a dangerous love triangle that, in typical yakuza fashion, ends tragically.

?

Surviving fragments of a film by Tomu Uchida.

poster

?

Father, son Kentaro and daughter Ochiyo, who live on the banks of the Sumida River, regain their love for each other after family discord and separation. The film is considered lost.

poster

?

The second part of the melodrama based on the novel Les Misérables by Victor Hugo, the action of which is transferred to the era of the Meiji Revolution. The film has not survived.

poster

?

The first part of a fascinating melodrama based on Victor Hugo's Les Misérables, the action of which is transferred to the era of the Meiji Revolution. The film has not survived.

poster

?

Two brothers run a factory canning crabs. The elder brother Kotaro is righteous and insists on honesty. The younger brother is fixated on money. They are polar opposites. When a boat sails out looking for crab and does not return one day the brothers begin to argue over how to run their facility. They had just received a large order from a foreign country and had obtained a loan from a lender that needed to be repaid.

?

A 1937 Japanese language film directed by Tomu Uchida, starring Ryo Akaboshi, Mitsuru Date and Hisao Furutani.

poster

?

N/A

poster

?

Lost film, directed by Tomu Uchida. This film is a very funny comedy that makes fun of the moral code of the samurai Bushido, which has become obsolete and turned into an empty form during the period of feudalism.

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