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poster

67

26

6.3

/288/

67

/7/

68

/18/

3.6

/1626/

Freda lives with her mother, sister and little brother in a popular neighbourhood of Haiti. They survive with their little street food shop. The precariousness and violence of their daily life pushes them to do everything they can to escape their situation in the hope of finding a better life.

poster

50

8

5.2

/131/

42

/4/

47

/13/

60

/6/

France, 2033. Olivier, an engineer, and Pauline, a teacher, decide to emigrate to the United States of Africa because they can no longer live in their country.

poster

?

100

/1/

Jealous wife - Evelyn, who didn't let her husband help a girl in the rain, whose boyfriend kicked her out in the rain lives to regret it. If only she was cautious, Evelyn could've avoided the danger she was about to face. WATCH NOW: https://www.youtube.com/watch?v=575VmS8FNys

poster

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60

/1/

N/A

poster

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6.8

/26/

36

/3/

90

/1/

The death of a Burkinabé family’s patriarch and the division of his estate unearths conflict between his heirs and larger questions about inheritance, belonging and the communal customs of West Africa versus Westernized courts.

poster

?

7.0

/55/

90

/1/

In Burkina Faso, young men look under the earth for gold – and a better future. As a result, 16-year-old Rasmané barely seems like a teenager any more. This mainly observational film follows him into the 100-metre abyss of small-scale mining.

poster

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5.9

/15/

Paris. Belleville quarter. Mama Aloko has to put up with her broken fridge, the cause of all her woes. She will come up with the one thousand francs to buy a new fridge to prevent the Health Dept from shutting down her restaurant.

poster

?

5.7

/14/

15

/2/

Djibril, nicknamed Djib, is a 13 year old black teenager, a rebel of the 90s, who lives with his grandmother in Asnières. He has a strange philosophy that he has posted above his bed: "A black person must never let himself be called the n-word by someone other than a black person, it's the worst insult". He is in love with Joséphine, an "Arab-Gauloise fatou" and decides to offer her a dream vacation.

poster

?

5.2

/13/

70

/1/

In Ouidah, Benin, the district "The Pantheon of Joy". At 12 years old, fatherless, one's eyes widen before the villa of a Big Brother who seems to have conquered Europe. To quench one's hunger, to sing, to ask for alms. And dreaming.

poster

?

6.5

/22/

62

/2/

The president of an African country, suffering from seeing its rich natural resources exploited only by western corporations, decides to nationalize all means of production built on the territory by foreigners.

poster

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35

/2/

Every people, every human being, has a need to assert themselves. However, one can only assert oneself through one’s culture. My Father is Goun and my Mother is Natemba. It was in the quest to learn more about my identity Nateni that the idea of making a documentary was born, to arouse the desire to perpetuate this architecture and thus contribute to the influence of universal civilization.

poster

?

6.9

/22/

71

/7/

Footage of the investigation documentary telling about the extermination of African elephants lasted almost three years. The film crew traveled throughout 30 countries to make a route of ivory smuggling and to find out the true culprit of these crimes against elephants.

poster

?

100

/1/

When a woman in Cotonou believes she'll meet her past lover who died 20 years ago in an accident, no one, and especially not herself, knows where reality ends and where "the other world" begins.

poster

?

6.7

/13/

Indochina: Through the story of Christophe, a 58 year old Afro-Vietnamese man, the film tells the story of African colonial soldiers fighting for the French in Indochina.

poster

?

6.2

/25/

20

/1/

57

/3/

Si-Gueriki is the story of the confrontation of a young man with his history, his roots and culture.

poster

?

6.2

/8/

20

/1/

A clever girl from a small village in Bénin is sold by her mother to a business woman from the big city. Once in the city she is sold again, this time to be a housemaid for a rich family. When she becomes friendly with the daughter of the house, everything changes for the worst.

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8.5

/16/

Documentary shows the incredible situation in which find most of the mentally ill Africans from severe schizophrenic epileptic simple. A reality unknown even to most African families affected since they hide in shame or superstition. Starting the amazing story of a man, an African tire repairman, who one day decided to devote himself to a mission: to rescue, heal and reintegrate into society the forgotten of the forgotten, the mentally ill Africans.

poster

?

6.3

/86/

56

/9/

59

/7/

Portraits of contemporary African women from four West African nations: Burkina Faso, Mali, Senegal and Benin.

poster

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5.8

/22/

10

/1/

A young man having omitted to make the ritual offerings of voodoo, suffers the wrath of the spirits.

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7.8

/29/

45

/4/

Documentary on the lives and hopes of the people living in Arlit, Niger and working in its uranium mine.

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?

7.8

/17/

60

/1/

A documentary film that will take viewers to Ouidah, Benin, the geographic heart of the Vodoun religion, where friends and collaborators, director Hazel Hill McCarthy, III and cultural engineer Genesis Breyer P-Orridge, explore the relationship between Vodoun and Western secular art and performance by trying to answer the question of what embodiment is.

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20

/1/

AFRO@DIGITAL looks at the impact of various digital technologies across a broad swath of present-day African life and asks how the technology is affecting African culture and how it can best serve the interests of Africa and the global South.

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10

/1/

In an imaginary African country, the editor of a magazine is arrested and sentenced to six month in prison for advocating crime.

poster

?

8.7

/76/

90

/2/

In Search of Voodoo: Roots to Heaven captures the vibrant tales of Voodoo in West Africa. Following actor Djimon Hounsou back to Benin, the country of his birth, the film shines a positive light on this way of life that has been misrepresented and diabolized in Western culture for many years.

poster

?

5.3

/48/

20

/1/

50

/2/

This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.

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Founded three hundred years ago as a refuge from slave traders, Ganvié, in Benin, has become the largest stilt village in Africa and now attracts thousands of tourists. But the people of the water, who once resisted colonization, are today colonized by a new invader: the water hyacinth. Said to have been introduced to decorate hotels and luxury homes, this plant now spreads at a staggering and uncontrollable rate, suffocating the lake. A small Beninese company has managed to turn this scourge into a resource—but at the cost of exhausting labor. Raw realism and imaginary visions blend together, as if one could only be understood—or endured—through the lens of the other.

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Son du Serpent tells the story of a modern African in his frantic search for his wife who disappeared. The film unfolds as a road movie. Longing for his beloved the man wanders around in a supernatural reality – aware that he may have lost her in this invisible world.

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When Yacumba the Queen of Circles is attacked by the Man in Red, her Power Heart is Gone, she and her Royal subject Vangirai would travel through Arastasia and Fight the Queen of Triangles to Get it Back.

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This is a tragic story of Freedom, Despair, and then Revelation And you'll see it through the EYES of an Attacker or a Victim and then, you'll decide and judge with your EYES and HEART.

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Josette, 75, struggling with her loneliness, meets Sarah, a young woman from her neighborhood. The two women, of diametrically opposed personalities, become acquainted, and gradually, all of Josette’s points of reference, linked to family ties, are shattered.

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Honoré and Grégoire prepare their mother’s funeral. They are faced with the common and individual expenses inherent to funerals in Porto-Novo (Benin). Money is the nerve of their concern.

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Directorial debut by DoP Oleg Lukichev

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N/A

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Documentary about an Ivorian emigration agency.

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Abiba, a young servant, is constantly subjected to mistreatment from her boss, Beatrice. One day when she inadvertently commits something stupid, Beatrice decides to fire her at the end of the month. However, this period was shortened following the kidnapping of Eric, Beatrice's son.

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Feature film that played at FESPACO in 2007.

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Agouénou, a newcomer to a government agency, takes on the entrenched corruption and butts heads with the leader of the old-guard, Sénou. The film features music composed and performed by Nigerian Afrobeat luminary Fela Kuti.

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Filmed in Ouidah, which was once home to one of Africa’s biggest slave trafficking ports, the artist walks 437 times around the Tree of Forgetfulness, which men were made to encircle seven times in a rite meant to erase their memories of the past.

poster

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Fifteen-year-old Mabil is passionate about contemporary dance and this passion sometimes leads him to imagine himself dancing in the street. For him, dancing is not a distraction, but a need. When he wants to organize a dance show on the evening of the Taajaboone, Bintou, his mother, finds his enthusiasm for this event dishonorable. She objects: dancing is not for men. After having tried to convince her several times, without success, Mabil reluctantly decides to disobey her, knowing that his choice could destroy the relationship he has with his mother.

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Habiba, a fourteen year old student, is forced to withdraw from school and marry an older man. She struggles after enduring a difficult pregnancy and childbirth.

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Intrigue, Suspense, Secrets of Life

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Sètchémè (20 years old) is a young albino girl. She is different from her parents and her sisters, who, on the other hand, are “normal”. She does not accept herself. She feels alone and wonders who she is. But her friend, Mélanie, leads her to smile, dream and think about love.

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In 1964 in a village in Bénin, an oracle predicts a bright future but also a bad omen for the baby KEMI. Sixteen years later, the future of KEMI, now a brilliant student, is called into question by the authority of her selfish and corrupt father, who offers her in marriage to a rich polygamist.

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A group of young students visits a remote village in Bénin, but when the village monarch chooses one of them to be his new wife, trouble erupts.

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Sandy is a young woman who suffers from heart problems. Her seriously ill father is taken to hospital and is in intensive care. Sandy is plunged into a new universe that she discovers with its sad realities, the stress of which put her in a position where her life is more threatened than that of her father.

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Vodoun Gods On The Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin.

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A small craftsman disappears, his brother, a grocer, searches for him and… to his surprise, he finds a misappropriation of Humanitarian Aid! Someone's lining their pockets, but who? And what is the little craftsman doing in there? Investigation, twists and turns, suspenses, prosecutions and murders follow! But, beyond this form, the substance never ceases to be present, namely: why do those who need it most accept to see a large part of the international donations intended for them disappear?

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Hazoumè's "NGO (Beninese Solidarity with Endangered Westerners)" reflects on issues of immigration, economic disparity, and perceptions of wealth. Taking a critical eye toward the vast numbers of local and international nongovernmental organizations (NGOs) operating in his country of Benin, the artist created his own NGO to aid poor Westerners, thereby reversing conventional assumptions concerning poverty and the distribution of capital from so-called developed nations. In an attempt to expose the often hidden realities of the income inequality that exists in global Northern countries, he asked Beninese celebrities to solicit donations from Africans, who commonly associate Westerners with affluence. For Hazoumè, the driving concept of the project is to uncover such illusions: "To all appearances, it’s a matter of reversing the help, from south to north. But in reality—it is about making the Africans cogitate differently."

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