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poster

72

28

6.6

/107/

70

/2/

55

/2/

3.6

/792/

100

/5/

The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic social-political voyage of a society, spiralling between religion, identity and collective memory. “I saw in you what they saw, mother. You deserve your war”.

poster

70

?

6.5

/49/

80

/1/

3.3

/512/

Lemohang Jeremiah Mosese’s This Is Not a Burial, It’s a Resurrection follow-up Ancestral Visions of the Future is described as being “a deeply personal exploration of identity, childhood, and death,” continuing a running theme in Mosese’s work of wrestling with his childhood in Lesotho and his exile to Germany.

poster

?

60

/1/

"Shepherds" shows how cattle are a constitutive element of the entire social life in Lesotho, a tiny country enclaved within the territory of South Africa. Cows have a deeply symbolic and material significance, and owning them is thus of very great value. The film was made in a jail where cattle thieves are held. They relate episodes from their lives and talk about why they are there.

poster

?

4.0

/22/

30

/6/

40

/2/

After four years of independence and since his father was captured, a boy finds himself alone in the world filled with pride, wickedness and evil, when his brother leaves for the Liberation Army camp to avenge his father's legacy.

poster

?

6.4

/13/

In Lesotho—a highland country surrounded by South Africa—an artist named Nthabiseng TeReo Mohanela takes discarded materials and transforms them into unique clothing and accessories. Teaching young people the benefits of recycling and re-creation, she calls her project “From Trash to Treasure.” With TeReo’s work as a starting point, this short film showcases a broader spirit of reimagination among artists in Lesotho, who use creativity to respond to entrenched social problems: Filmmakers show the need to end child marriage. Musicians write songs about climate change. Farmers collect seeds to protect endangered tree species. Designers use fashion to preserve traditional Basotho culture and challenge common perceptions of Africa. Profiling a variety of these innovators, FROM TRASH TO TREASURE: turning negatives into positives encourages us to take lessons from those who rethink, reuse, and reinvent in order to promote positive change.

poster

?

5.8

/20/

In a society riddled by patriarchy, Mosonngoa embarks on an incisive pursuit to save her father's farm. When all her attempts fail, she enters a stick-fighting competition - against all odds.

poster

?

6.2

/37/

70

/1/

30

/1/

An itinerant preacher proclaims to people that their god is in the very coffin he is dragging along.

?

4.1

/14/

20

/1/

50

/1/

A short film about four friends: Thabiso was a national boxer; Thabo, known to his friends as Kwasa Kwasa, is a DJ; Bimbo, a true intellectual, is a man of short sentences; and Moalosi an AIDS activist. All four are HIV+. They meet to reflect on their lives, to cry, to reminisce - but also, most importantly, to laugh.

poster

71

?

7.1

/341/

63

/8/

57

/3/

86

/7/

78

/3/

A young man reluctantly embarks on a journey to his ancestral land of Lesotho to bury his estranged father, and finds himself drawn to the mystical beauty and hardships of the people and the land he had forgotten.

?

6.0

/9/

Thabo, Thabiso and Moalosi are young, attractive and deal openly with their HIV status. Nearly a third of the population in Lesotho is HIV positive.

poster

?

6.7

/79/

A Western-like documentary set in a remote rural region in Lesotho: a frontier space where the ways of modern society are of little, if any, value. The arrival of economic migrants from China has irrevocably upset the balance of power, as old laws and ancient gods are doddering away. Subtle moments and small gestures reveal the trauma of expatriation, the burden of personal sacrifice, solitude and alienation, as well as the painful experience of otherness. As old structures begin to disintegrate and violence is about to erupt, one rule asserts itself above all others: eat or be eaten.

?

Life seems bleak for Molise until he meets a beautiful woman but perception is not reality. The story twists into a tale of death and life after death.

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Three childhood friends have a dream of having water. Going to Maseru is their dream…to have their share of good things that the world has to offer.

poster

?

A young filmmaker sets off for the unknown territory of an African enclave to gather true stories of its inhabitants. Motionless scenery carries human imagination to heights where unforgettable moments of human life unfold. The meditative character of the film’s imagery captures the unique atmosphere of Lesotho.

poster

?

Introducing a generation of young Africans determined to be the first free of AIDS.

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A short film about the people who sweep the streets of Johannesburg every night.

poster

?

N/A

?

Film about domestic violence

?

A conversation between an older, HIV positive woman and her niece. The women talk about what it means to be a woman, mother, elderly and HIV positive in Lesotho. They speak about love, marriage, motherhood, inter-generational sex and health systems in the context of HIV in Lesotho.

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